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<modified>2008-08-30T03:52:20Z</modified>
<tagline>Latest news and articles about Satire</tagline>
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<entry>
<title>{RESOURCES &gt; NEWS AND MEDIA} - Scott Brown Rails Against Machineless Time Travel</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/business/resources/news-and-media/scott-brown-rails-against-machineless-time-travel-20080859023.htm"/>
<summary type="text/plain">


I fear for the future of time travel. Not the real thing: That seems to be coming along swimmingly, according to a handful of renegade physicists (more on that in The Future! of this column). No, I'm more worried about that venerable pop institution fictional time travel. It's getting airier, subtler, distressingly less Rube Goldbergian: No fewer than four extant network shows &mdash; Heroes, the soon-to-return Lost, and two newcomers, Life on Mars and Fringe &mdash; involve some form of time travel minus any obvious chronos-crunching machine. The new time travelers epoch-hop on pure longing, head injury, or strength of will alone &mdash; sizzling portals and sparking gizmos are now rendered beside the point. Sure, some might see this as the genre maturing, but to me it looks an awful lot like downsizing. Hello? McFly? Whither the DeLoreans of yesteryear? Outta time, it seems.

Which says something about The Present. Time-travel stories are wonderfully dated, pristine core samples of the ages that birthed them. In A Connecticut Yankee in King Arthur's Court (1889), an early instance, Mark Twain was essentially refighting the Civil War in satire. His mode of transport? A bump on the head. Twain was in the machine age but not of it. But just a few years later in 1895, H. G. Wells embraced the industrial: The Time Machine was an au courant postcolonial parable, but more to the point, it described time travel via device in detail &mdash; and became a timeless source of inspiration for future generations of geeks. One of these is Ronald Mallett, a University of Connecticut physics professor who is, in all seriousness, working on a time machine. As you might expect, his tastes fall along the gizmo end of the spectrum: "I'm into the realm of technology and control. My leaning is definitely toward science fiction based on some sort of instrumentality." Mallet's design involves a circulating ring laser that could hypothetically twist spacetime the way a spoon swirls coffee.

Time machines stayed in fashion through the atomic age, undergoing both design and thematic updates that often cast them as vehicles for cautionary tales of science gone awry: See Ray Bradbury's seminal short story A Sound of Thunder (the "butterfly effect" urtext) and the BBC's Doctor Who. The sober political retrenchments of the '70s gave rise to Time and Again and Somewhere in Time, in which time travel is a form of reflective meditation, accomplished via hypnosis. In the '80s, heavy metal resurged with Back to the Future and The Terminator, two films that differed radically in theory and tone (BTTF's zippy Freudian destiny-defiance versus T1's grim, apocalyptic determinism) but shared the muscular, plutonium-fueled ethos of the Reagan era. Quantum Leap may have been light on tech, but it was almost neoconservative in its morality: Sam Beckett traveled the timeline, righting wrongs &mdash; the continuum's beat cop. And Bill and Ted's phone booth? A thing of naive, idiotic, self-congratulatory excellence, much like triumphal glasnost America itself. For these time travel shows, history was like other world problems &mdash; ornery but correctable. By 1991, Terminator 2's happy ending seemed to be telling us that the timeline was finally fixed. And then, for the rest of the '90s, the time machines were scrapped. We didn't need them anymore.

That's been the case even as, in the last couple of years, time travel has returned to the cultural forebrain &mdash; sans the machines. Lost's Desmond has seizures of chronology fueled not by plutonium but by romantic longing and the drive for redemption; for Heroes' Hiro, era swapping is a personal test of will; and the time traveler in Life on Mars may either be trapped in the '70s or a coma victim dying of guilty nostalgia. (Talk about a parable for our times!) Methodology-wise, though, we're practically back to King Arthur's Court. This is time travel in the cloud era: The DeLorean would never even pass emissions, and classical Wellsian futurism has given way to pure wish fulfillment.

But in the next yet-to-be-writ age of time-travel fantasy, I say we re-commit to the machine. Be it Mallett's circulating ring laser (Spike Lee has already bought the film rights to the prof's life story &mdash; really) or a mylar-sided Prius (Mr. Spielberg, that one's on the house), let's mechanize something, not just squint hard and wish. Let's get ambitious again. Let's shoot sparks. Let's burn rubber. Heck, maybe just once, for old time's sake, let's go back and father ourselves.


Email scott_brown@wired.com.
    
    
    
    
  

   
</summary>
<id>http://articles.world-of-newave.info/business/resources/news-and-media/scott-brown-rails-against-machineless-time-travel-20080859023.htm</id>
<issued>2008-08-21T05:00:00Z</issued>
<modified>2008-08-21T05:00:00Z</modified>
<author>
<name>Wired.Com</name>
<url>http://www.wired.com/techbiz/people/magazine/16-09/pl_brown</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/business/resources/news-and-media/scott-brown-rails-against-machineless-time-travel-20080859023.htm"><b>Scott Brown Rails Against Machineless Time Travel</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/business/resources/news-and-media/scott-brown-rails-against-machineless-time-travel-20080859023.htm" target="_blank">new window</a>}</sup></td></tr>
<tr>
<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Wired.Com</span> - 


I fear for the future of time travel. Not the real thing: That seems to be coming along swimmingly, according to a handful of renegade physicists (more on that in The Future! of this column). No, I'm more worried about that venerable pop institution fictional time travel. It's getting airier, subtler, distressingly less Rube Goldbergian: No fewer than four extant network shows &mdash; Heroes, the soon-to-return Lost, and two newcomers, Life on Mars and Fringe &mdash; involve some form of time travel minus any obvious chronos-crunching machine. The new time travelers epoch-hop on pure longing, head injury, or strength of will alone &mdash; sizzling portals and sparking gizmos are now rendered beside the point. Sure, some might see this as the genre maturing, but to me it looks an awful lot like downsizing. Hello? McFly? Whither the DeLoreans of yesteryear? Outta time, it seems.

Which says something about The Present. Time-travel stories are wonderfully dated, pristine core samples of the ages that birthed them. In A Connecticut Yankee in King Arthur's Court (1889), an early instance, Mark Twain was essentially refighting the Civil War in satire. His mode of transport? A bump on the head. Twain was in the machine age but not of it. But just a few years later in 1895, H. G. Wells embraced the industrial: The Time Machine was an au courant postcolonial parable, but more to the point, it described time travel via device in detail &mdash; and became a timeless source of inspiration for future generations of geeks. One of these is Ronald Mallett, a University of Connecticut physics professor who is, in all seriousness, working on a time machine. As you might expect, his tastes fall along the gizmo end of the spectrum: "I'm into the realm of technology and control. My leaning is definitely toward science fiction based on some sort of instrumentality." Mallet's design involves a circulating ring laser that could hypothetically twist spacetime the way a spoon swirls coffee.

Time machines stayed in fashion through the atomic age, undergoing both design and thematic updates that often cast them as vehicles for cautionary tales of science gone awry: See Ray Bradbury's seminal short story A Sound of Thunder (the "butterfly effect" urtext) and the BBC's Doctor Who. The sober political retrenchments of the '70s gave rise to Time and Again and Somewhere in Time, in which time travel is a form of reflective meditation, accomplished via hypnosis. In the '80s, heavy metal resurged with Back to the Future and The Terminator, two films that differed radically in theory and tone (BTTF's zippy Freudian destiny-defiance versus T1's grim, apocalyptic determinism) but shared the muscular, plutonium-fueled ethos of the Reagan era. Quantum Leap may have been light on tech, but it was almost neoconservative in its morality: Sam Beckett traveled the timeline, righting wrongs &mdash; the continuum's beat cop. And Bill and Ted's phone booth? A thing of naive, idiotic, self-congratulatory excellence, much like triumphal glasnost America itself. For these time travel shows, history was like other world problems &mdash; ornery but correctable. By 1991, Terminator 2's happy ending seemed to be telling us that the timeline was finally fixed. And then, for the rest of the '90s, the time machines were scrapped. We didn't need them anymore.

That's been the case even as, in the last couple of years, time travel has returned to the cultural forebrain &mdash; sans the machines. Lost's Desmond has seizures of chronology fueled not by plutonium but by romantic longing and the drive for redemption; for Heroes' Hiro, era swapping is a personal test of will; and the time traveler in Life on Mars may either be trapped in the '70s or a coma victim dying of guilty nostalgia. (Talk about a parable for our times!) Methodology-wise, though, we're practically back to King Arthur's Court. This is time travel in the cloud era: The DeLorean would never even pass emissions, and classical Wellsian futurism has given way to pure wish fulfillment.

But in the next yet-to-be-writ age of time-travel fantasy, I say we re-commit to the machine. Be it Mallett's circulating ring laser (Spike Lee has already bought the film rights to the prof's life story &mdash; really) or a mylar-sided Prius (Mr. Spielberg, that one's on the house), let's mechanize something, not just squint hard and wish. Let's get ambitious again. Let's shoot sparks. Let's burn rubber. Heck, maybe just once, for old time's sake, let's go back and father ourselves.


Email scott_brown@wired.com.
    
    
    
    
  

   
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Get Wired's take on technology business news and the Silicon Valley scene including IT, media, mobility, broadband, video, design, security, software, networking and internet startups on Wired.com {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> August 21, 2008, 5:00 am - <span style="color:#808080;">Indexed:</span> August 27, 2008, 4:21 pm - <span style="color:#808080;">Page Size:</span>&nbsp;48KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/business/">Business</a> &gt; <a href="http://www.world-of-newave.info/business/resources/">Resources</a> &gt;  <a href="http://www.world-of-newave.info/business/resources/news-and-media/"><b>News and Media</b></a></div></td></tr></table>
<br/>
]]></content>
</entry>
<entry>
<title>{NEWSPAPERS &gt; UNITED STATES} - Review: 'Tropic Thunder'</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/news/newspapers/regional/united-states/review-tropic-thunder-20080882819.htm"/>
<summary type="text/plain">Daring satire pushes buttons as it parodies the moviemaking business.

    
</summary>
<id>http://articles.world-of-newave.info/news/newspapers/regional/united-states/review-tropic-thunder-20080882819.htm</id>
<issued>2008-08-16T07:00:00Z</issued>
<modified>2008-08-16T07:00:00Z</modified>
<author>
<name>Csmonitor.Com</name>
<url>http://www.csmonitor.com/2008/0816/p25s02-almo.html</url>
</author>
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<tr>
<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Csmonitor.Com</span> - Daring satire pushes buttons as it parodies the moviemaking business.

    
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Review: 'Tropic Thunder' | csmonitor.com {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> August 16, 2008, 7:00 am - <span style="color:#808080;">Indexed:</span> August 16, 2008, 12:39 pm - <span style="color:#808080;">Page Size:</span>&nbsp;68KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/news/">News</a> &gt; <a href="http://www.world-of-newave.info/news/newspapers/">Newspapers</a> &gt; <a href="http://www.world-of-newave.info/news/newspapers/regional/">Regional</a> &gt;  <a href="http://www.world-of-newave.info/news/newspapers/regional/united-states/"><b>United States</b></a></div></td></tr></table>
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</entry>
<entry>
<title>{NEWSPAPERS &gt; UNITED STATES} - Six Picks: Recommendations from the Monitor staff</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/news/newspapers/regional/united-states/six-picks-recommendations-from-the-monitor-staff-20080836216.htm"/>
<summary type="text/plain">Lyrical songs from Randy Newman, a charming screwball comedy out on DVD, a novelist's hysterical satire of the media, and more.

    
</summary>
<id>http://articles.world-of-newave.info/news/newspapers/regional/united-states/six-picks-recommendations-from-the-monitor-staff-20080836216.htm</id>
<issued>2008-08-15T07:00:00Z</issued>
<modified>2008-08-15T07:00:00Z</modified>
<author>
<name>Csmonitor.Com</name>
<url>http://www.csmonitor.com/2008/0815/p16s01-algn.html</url>
</author>
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<tr>
<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Csmonitor.Com</span> - Lyrical songs from Randy Newman, a charming screwball comedy out on DVD, a novelist's hysterical satire of the media, and more.

    
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Six Picks: Recommendations from the Monitor staff | csmonitor.com {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> August 15, 2008, 7:00 am - <span style="color:#808080;">Indexed:</span> August 14, 2008, 9:33 pm - <span style="color:#808080;">Page Size:</span>&nbsp;70KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/news/">News</a> &gt; <a href="http://www.world-of-newave.info/news/newspapers/">Newspapers</a> &gt; <a href="http://www.world-of-newave.info/news/newspapers/regional/">Regional</a> &gt;  <a href="http://www.world-of-newave.info/news/newspapers/regional/united-states/"><b>United States</b></a></div></td></tr></table>
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<entry>
<title>{EUROPE &gt; NEWSPAPERS} - Stinging satire sends up Blair's New Labour</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/stinging-satire-sends-up-blair-s-new-labour-20080819313.htm"/>
<summary type="text/plain">
The playwright David Hare is set to lampoon Tony Blair and his former New 
  Labour colleagues in a new political satire. 

</summary>
<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/stinging-satire-sends-up-blair-s-new-labour-20080819313.htm</id>
<issued>2008-08-13T07:12:13Z</issued>
<modified>2008-08-13T07:12:13Z</modified>
<author>
<name>Telegraph.Co.Uk</name>
<url>http://www.telegraph.co.uk/news/newstopics/politics/2550021/Stinging-satire-sends-up-Blairs-New-Labour.html</url>
</author>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Telegraph.Co.Uk</span> - 
The playwright David Hare is set to lampoon Tony Blair and his former New 
  Labour colleagues in a new political satire. 

<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Stinging satire sends up Blair&rsquo;s New Labour - Telegraph {...} The playwright David Hare is set to lampoon Tony Blair and his former New   Labour colleagues in a new political satire.  {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> August 13, 2008, 7:12 am - <span style="color:#808080;">Indexed:</span> August 13, 2008, 12:50 pm - <span style="color:#808080;">Page Size:</span>&nbsp;39KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/">News and Media</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/"><b>Newspapers</b></a></div></td></tr></table>
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<entry>
<title>{NEWS &gt; ALTERNATIVE} - AlterNet's Weekly Zeitgeist: Phony Drilling, Afghan Escalation, Never-Ending Financial Crisis and Much More</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/news/alternative/alternet-s-weekly-zeitgeist-phony-drilling-afghan-20080765118.htm"/>
<summary type="text/plain">From Bush's oil hoax to the New Yorker's sorry attempt at satire, our Zeitgeist list tracks the progressive issues of the week. </summary>
<id>http://articles.world-of-newave.info/news/alternative/alternet-s-weekly-zeitgeist-phony-drilling-afghan-20080765118.htm</id>
<issued>2008-07-18T08:00:01Z</issued>
<modified>2008-07-18T08:00:01Z</modified>
<author>
<name>Alternet.Org</name>
<url>http://www.alternet.org/story/91736/</url>
</author>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Alternet.Org</span> - From Bush's oil hoax to the New Yorker's sorry attempt at satire, our Zeitgeist list tracks the progressive issues of the week. <blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">AlterNet's Weekly Zeitgeist: Phony Drilling, Afghan Escalation, Never-Ending Financial Crisis and Much More | AlterNet {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> July 18, 2008, 8:00 am - <span style="color:#808080;">Indexed:</span> July 19, 2008, 12:11 am - <span style="color:#808080;">Page Size:</span>&nbsp;35KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/news/">News</a> &gt;  <a href="http://www.world-of-newave.info/news/alternative/"><b>Alternative</b></a></div></td></tr></table>
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</entry>
<entry>
<title>{LITERATURE &gt; CYBERPUNK} - Poodle (the game) samizdat, the New Yorker Obama Cover edition.</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poodle-the-game-samizdat-the-new-yorker-obama-cover-20080780613.htm"/>
<summary type="text/plain"> Ethan Persoff says, A new game of Poodle (about the game) is live on COMICS WITH PROBLEMS, this time using the New Yorker cover as the game ball. Goal is to see if it's possible, through poodle method, to make a universally offensive cover out of this wishy washy half-satire that no one can seem to agree upon. POODLE SAMIZDAT: SPECIAL NEW YORKER EDITION [ Comics With Problems ]...
  
</summary>
<id>http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poodle-the-game-samizdat-the-new-yorker-obama-cover-20080780613.htm</id>
<issued>2008-07-17T07:43:52Z</issued>
<modified>2008-07-17T07:43:52Z</modified>
<author>
<name>Boingboing.Net</name>
<url>http://www.boingboing.net/2008/07/16/poodle-the-game-sami.html</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poodle-the-game-samizdat-the-new-yorker-obama-cover-20080780613.htm"><b>Poodle (the game) samizdat, the New Yorker Obama Cover edition.</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poodle-the-game-samizdat-the-new-yorker-obama-cover-20080780613.htm" target="_blank">new window</a>}</sup></td></tr>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Boingboing.Net</span> -  Ethan Persoff says, A new game of Poodle (about the game) is live on COMICS WITH PROBLEMS, this time using the New Yorker cover as the game ball. Goal is to see if it's possible, through poodle method, to make a universally offensive cover out of this wishy washy half-satire that no one can seem to agree upon. POODLE SAMIZDAT: SPECIAL NEW YORKER EDITION [ Comics With Problems ]...
  
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Poodle (the game) samizdat, the New Yorker Obama Cover edition. - Boing Boing {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> July 17, 2008, 7:43 am - <span style="color:#808080;">Indexed:</span> July 17, 2008, 5:22 pm - <span style="color:#808080;">Page Size:</span>&nbsp;39KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/arts/">Arts</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/">Literature</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/genres/">Genres</a> &gt;  <a href="http://www.world-of-newave.info/arts/literature/genres/cyberpunk/"><b>Cyberpunk</b></a></div></td></tr></table>
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<entry>
<title>{NEWS &gt; ALTERNATIVE} - The Bad Frame: Why Are the New Yorker, Salon and Other Liberal Media Doing the Right's Dirty Work?</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/news/alternative/the-bad-frame-why-are-the-new-yorker-salon-and-other-20080721716.htm"/>
<summary type="text/plain">This week's New Yorker cover image of the Obamas is shocking in the racism and gross stereotyping that is built into its supposed satire. </summary>
<id>http://articles.world-of-newave.info/news/alternative/the-bad-frame-why-are-the-new-yorker-salon-and-other-20080721716.htm</id>
<issued>2008-07-14T08:00:01Z</issued>
<modified>2008-07-14T08:00:01Z</modified>
<author>
<name>Alternet.Org</name>
<url>http://www.alternet.org/mediaculture/91355/</url>
</author>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Alternet.Org</span> - This week's New Yorker cover image of the Obamas is shocking in the racism and gross stereotyping that is built into its supposed satire. <blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">The Bad Frame: Why Are the New Yorker, Salon and Other Liberal Media Doing the Right's Dirty Work? | Media and Technology | AlterNet {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> July 14, 2008, 8:00 am - <span style="color:#808080;">Indexed:</span> July 15, 2008, 9:09 am - <span style="color:#808080;">Page Size:</span>&nbsp;479KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/news/">News</a> &gt;  <a href="http://www.world-of-newave.info/news/alternative/"><b>Alternative</b></a></div></td></tr></table>
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<entry>
<title>{ISSUES &gt; BIAS AND BALANCE} - Author of NY Times Limbaugh profile: "I'm a little bit defensive because I think that the liberal media takes such an unfair view of him"  </title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/author-of-ny-times-limbaugh-profile-i-m-a-little-bit-2008072459.htm"/>
<summary type="text/plain">In a July 4 interview preceding the publication
of his profile of radio
host Rush Limbaugh, New York Times Magazine contributor
Zev Chafets asserted on WNYC's
On the Media: "I'm not an
apologist for Rush Limbaugh, but I'm a little bit defensive because I think
that the liberal media takes such an unfair view of him." During the
interview, however, Chafets offered no support for his assertion that
"the liberal media takes such an unfair view of him."

In the interview, host Bob Garfield said: 

GARFIELD: Your piece on Limbaugh was very generous, I would say
even flattering. You seem to give him a pass for his excesses. And when I'm
talking about excesses, I'm talking about ad hominem attacks, truly
mean-spirited stuff that goes way beyond satire and into the politics of
vilification, and also playing fast and loose with the truth, seizing on some
news item and grossly misrepresenting it and creating a lot of hubbub, using as
the kernel of his satire something that is just fundamentally untrue.


Chafets replied:


CHAFETS: Well, do you
have an example of that? I'm not an apologist for Rush Limbaugh, but I'm a
little bit defensive because I think that the liberal media takes such an
unfair view of him.

I hear people being vilified on the
radio on all sorts of radio stations by all sorts of people all day long. And
Limbaugh is not worse than many of the ones I hear, even on NPR. He just has a
different point of view.

In fact, Media Matters
for America has documented numerous examples in which, as Garfield noted, Limbaugh "play[ed]
fast and loose with the truth."

From the July 4 edition of WNYC's On
the Media:





GARFIELD: In less than a month, Rush Limbaugh
will celebrate his 20th year hosting The
Rush Limbaugh Show. Rush is easily the most successful radio
broadcaster, with an audience of at least 14 million people a week. He just
signed a $400-million,
eight-year re-up of his contract, making as much as all of the nightly news
anchors combined.

His political clout remains
strong, fresh off of Operation Chaos, in which he convinced Republicans to vote
for Hillary Clinton in order to prolong the bruising Democratic nomination
fight. And he hangs out with Supreme Court justices.

But 14 years after Limbaugh
was credited with ushering in the Republican revolution and the Contract with America,
is he still capable of swaying a presidential election? Zev Chafets has written
about Limbaugh for this weekend's New York
Times Magazine, and he joins us now. Zev, welcome to OTM.

CHAFETS:
Thank you. Nice to be with you.

GARFIELD: OK, first question. You are
[laughs] -- you are representing The New
York Times, the apotheosis of the Eastern liberal media elite. How
the hell did you get in to see Rush Limbaugh?

CHAFETS:
[laughs] I asked nicely and persistently.

GARFIELD: Limbaugh did get his back up with
you when you persistently questioned him about his clout. Is it your belief
that, in fact, he has begun to lose impact, maybe to the likes of Sean Hannity
or Michael Savage or any of the right-wing screamers?

CHAFETS: I
talked to Michael Harrison, who's the publisher of Talkers Magazine, which is the industry magazine, and he
told me that Limbaugh retains his position. He described him as something like
a combination of Elvis and the Beatles, as far as AM talk radio is concerned.

Jay Nordlinger, who is the
managing editor of the National Review,
told me that when he was hiring guys out of college for the National Review, they would come in and
say that they became conservatives by listening to Rush Limbaugh.

So I think that maybe his
impact is less across the spectrum than it is across generations, that there --
he's been on for 20 years. There are already people who see him as sort of the
inspiration for their conservative views and their children's conservative
views.

GARFIELD: Now, I want to come to the McCain
issue, because in order to support McCain in the upcoming election, he will
have to go after Obama.

CHAFETS:
Right.

GARFIELD: And he has already complained on
the air of how difficult it is to go after Obama lest he be tarred with the R
word.

CHAFETS:
Right.

GARFIELD: And he's clearly concerned about
this, but he's also forged a strategy. Can you tell me what that is?

CHAFETS: He
appointed his call screener, a guy whose name is James Golden and he calls Bo
Snerdley, who's an African-American, to be the official Obama criticizer. And,
of course, this is done as a way of --

GARFIELD: Laundering?

CHAFETS: No,
no, no, no, no. He's laughing at the media's sensitivities. You know, I asked
him specifically. I
said, "Are you going to have a problem with an African-American
candidate?" And he said, "No. You know, Obama is a liberal, and
I'll criticize him as a liberal," which is what he does.

GARFIELD: Your piece on Limbaugh was very generous, I would
say even flattering. You seem to give him a pass for his excesses. And when I'm
talking about excesses, I'm talking about ad hominem attacks, truly
mean-spirited stuff that goes way beyond satire and into the politics of
vilification, and also playing fast and loose with the truth, seizing on some
news item and grossly misrepresenting it and creating a lot of hubbub, using as
the kernel of his satire something that is just fundamentally untrue.

CHAFETS: Well, do
you have an example of that? I'm not an apologist for Rush Limbaugh, but I'm a
little bit defensive because I think that the liberal media takes such an
unfair view of him.

I hear people being vilified on the
radio on all sorts of radio stations by all sorts of people all day long. And
Limbaugh is not worse than many of the ones I hear, even on NPR. He just has a
different point of view.

GARFIELD: The NAACP should have a riot
rehearsal. They should get a liquor store and practice robberies?

CHAFETS: Not
my sense of humor, but it's not a lie.

GARFIELD: Did Limbaugh not say that Abu
Ghraib was no worse than a Skull and Bones initiation?

CHAFETS:
Yeah, he did. It's his opinion.

GARFIELD: Yeah. Did he not deny that genocide
was committed against the American Indian and state that the population is
higher now than it was before Christopher Columbus -- of Native Americans?

CHAFETS: I
don't know. I didn't ask him that, either. I don't know what the population was
before Christopher Columbus.

GARFIELD: Yeah, it was about 15 million and,
you know, by the 19th century, it was 250,000. I mean, that's what -- that's the numbers.

OK, now I know
you don't want to be an apologist for Rush Limbaugh or his spokesman.

CHAFETS: Right.

GARFIELD: But do you not think that he is
answerable for things that are, at minimum, offensive and obnoxious and
mean-spirited that he's -- he has said on the air?

CHAFETS: Yeah, you
know, I do think that. And I think he's answerable to the public. And I think
that for people who find him more obnoxious and more mean-spirited than other
people that they prefer to listen to, then they should answer him by turning
him off.

I wouldn't say that I see Limbaugh
as an unmixed, you know, blessing, but I do think that it's good for the
American media climate to have at least one very strong conservative Republican
voice that is heard, you know, across the country. There's more than one
today, but they're all there only because Limbaugh was the first.

GARFIELD: Well, Zev, I appreciate your time.

CHAFETS:
Hey, you're very welcome.

GARFIELD: Zev Chafets wrote about the 20th
Limbaugh-versary for The New York Times
Magazine.</summary>
<id>http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/author-of-ny-times-limbaugh-profile-i-m-a-little-bit-2008072459.htm</id>
<issued>2008-07-09T17:34:22Z</issued>
<modified>2008-07-09T17:34:22Z</modified>
<author>
<name>Mediamatters.Org</name>
<url>http://mediamatters.org/items/200807090002</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/author-of-ny-times-limbaugh-profile-i-m-a-little-bit-2008072459.htm"><b>Author of NY Times Limbaugh profile: "I'm a little bit defensive because I think that the liberal media takes such an unfair view of him"  </b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/author-of-ny-times-limbaugh-profile-i-m-a-little-bit-2008072459.htm" target="_blank">new window</a>}</sup></td></tr>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Mediamatters.Org</span> - In a July 4 interview preceding the publication
of his profile of radio
host Rush Limbaugh, New York Times Magazine contributor
Zev Chafets asserted on WNYC's
On the Media: "I'm not an
apologist for Rush Limbaugh, but I'm a little bit defensive because I think
that the liberal media takes such an unfair view of him." During the
interview, however, Chafets offered no support for his assertion that
"the liberal media takes such an unfair view of him."

In the interview, host Bob Garfield said: 

GARFIELD: Your piece on Limbaugh was very generous, I would say
even flattering. You seem to give him a pass for his excesses. And when I'm
talking about excesses, I'm talking about ad hominem attacks, truly
mean-spirited stuff that goes way beyond satire and into the politics of
vilification, and also playing fast and loose with the truth, seizing on some
news item and grossly misrepresenting it and creating a lot of hubbub, using as
the kernel of his satire something that is just fundamentally untrue.


Chafets replied:


CHAFETS: Well, do you
have an example of that? I'm not an apologist for Rush Limbaugh, but I'm a
little bit defensive because I think that the liberal media takes such an
unfair view of him.

I hear people being vilified on the
radio on all sorts of radio stations by all sorts of people all day long. And
Limbaugh is not worse than many of the ones I hear, even on NPR. He just has a
different point of view.

In fact, Media Matters
for America has documented numerous examples in which, as Garfield noted, Limbaugh "play[ed]
fast and loose with the truth."

From the July 4 edition of WNYC's On
the Media:





GARFIELD: In less than a month, Rush Limbaugh
will celebrate his 20th year hosting The
Rush Limbaugh Show. Rush is easily the most successful radio
broadcaster, with an audience of at least 14 million people a week. He just
signed a $400-million,
eight-year re-up of his contract, making as much as all of the nightly news
anchors combined.

His political clout remains
strong, fresh off of Operation Chaos, in which he convinced Republicans to vote
for Hillary Clinton in order to prolong the bruising Democratic nomination
fight. And he hangs out with Supreme Court justices.

But 14 years after Limbaugh
was credited with ushering in the Republican revolution and the Contract with America,
is he still capable of swaying a presidential election? Zev Chafets has written
about Limbaugh for this weekend's New York
Times Magazine, and he joins us now. Zev, welcome to OTM.

CHAFETS:
Thank you. Nice to be with you.

GARFIELD: OK, first question. You are
[laughs] -- you are representing The New
York Times, the apotheosis of the Eastern liberal media elite. How
the hell did you get in to see Rush Limbaugh?

CHAFETS:
[laughs] I asked nicely and persistently.

GARFIELD: Limbaugh did get his back up with
you when you persistently questioned him about his clout. Is it your belief
that, in fact, he has begun to lose impact, maybe to the likes of Sean Hannity
or Michael Savage or any of the right-wing screamers?

CHAFETS: I
talked to Michael Harrison, who's the publisher of Talkers Magazine, which is the industry magazine, and he
told me that Limbaugh retains his position. He described him as something like
a combination of Elvis and the Beatles, as far as AM talk radio is concerned.

Jay Nordlinger, who is the
managing editor of the National Review,
told me that when he was hiring guys out of college for the National Review, they would come in and
say that they became conservatives by listening to Rush Limbaugh.

So I think that maybe his
impact is less across the spectrum than it is across generations, that there --
he's been on for 20 years. There are already people who see him as sort of the
inspiration for their conservative views and their children's conservative
views.

GARFIELD: Now, I want to come to the McCain
issue, because in order to support McCain in the upcoming election, he will
have to go after Obama.

CHAFETS:
Right.

GARFIELD: And he has already complained on
the air of how difficult it is to go after Obama lest he be tarred with the R
word.

CHAFETS:
Right.

GARFIELD: And he's clearly concerned about
this, but he's also forged a strategy. Can you tell me what that is?

CHAFETS: He
appointed his call screener, a guy whose name is James Golden and he calls Bo
Snerdley, who's an African-American, to be the official Obama criticizer. And,
of course, this is done as a way of --

GARFIELD: Laundering?

CHAFETS: No,
no, no, no, no. He's laughing at the media's sensitivities. You know, I asked
him specifically. I
said, "Are you going to have a problem with an African-American
candidate?" And he said, "No. You know, Obama is a liberal, and
I'll criticize him as a liberal," which is what he does.

GARFIELD: Your piece on Limbaugh was very generous, I would
say even flattering. You seem to give him a pass for his excesses. And when I'm
talking about excesses, I'm talking about ad hominem attacks, truly
mean-spirited stuff that goes way beyond satire and into the politics of
vilification, and also playing fast and loose with the truth, seizing on some
news item and grossly misrepresenting it and creating a lot of hubbub, using as
the kernel of his satire something that is just fundamentally untrue.

CHAFETS: Well, do
you have an example of that? I'm not an apologist for Rush Limbaugh, but I'm a
little bit defensive because I think that the liberal media takes such an
unfair view of him.

I hear people being vilified on the
radio on all sorts of radio stations by all sorts of people all day long. And
Limbaugh is not worse than many of the ones I hear, even on NPR. He just has a
different point of view.

GARFIELD: The NAACP should have a riot
rehearsal. They should get a liquor store and practice robberies?

CHAFETS: Not
my sense of humor, but it's not a lie.

GARFIELD: Did Limbaugh not say that Abu
Ghraib was no worse than a Skull and Bones initiation?

CHAFETS:
Yeah, he did. It's his opinion.

GARFIELD: Yeah. Did he not deny that genocide
was committed against the American Indian and state that the population is
higher now than it was before Christopher Columbus -- of Native Americans?

CHAFETS: I
don't know. I didn't ask him that, either. I don't know what the population was
before Christopher Columbus.

GARFIELD: Yeah, it was about 15 million and,
you know, by the 19th century, it was 250,000. I mean, that's what -- that's the numbers.

OK, now I know
you don't want to be an apologist for Rush Limbaugh or his spokesman.

CHAFETS: Right.

GARFIELD: But do you not think that he is
answerable for things that are, at minimum, offensive and obnoxious and
mean-spirited that he's -- he has said on the air?

CHAFETS: Yeah, you
know, I do think that. And I think he's answerable to the public. And I think
that for people who find him more obnoxious and more mean-spirited than other
people that they prefer to listen to, then they should answer him by turning
him off.

I wouldn't say that I see Limbaugh
as an unmixed, you know, blessing, but I do think that it's good for the
American media climate to have at least one very strong conservative Republican
voice that is heard, you know, across the country. There's more than one
today, but they're all there only because Limbaugh was the first.

GARFIELD: Well, Zev, I appreciate your time.

CHAFETS:
Hey, you're very welcome.

GARFIELD: Zev Chafets wrote about the 20th
Limbaugh-versary for The New York Times
Magazine.<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Media Matters - Author of NY Times Limbaugh profile: "I&#39;m a little bit defensive because I think that the liberal media takes such an unfair view of him"   {...} In an interview on WNYC&#39;s On the Media regarding his profile of Rush Limbaugh for The New York Times Magazine , Zev Chafets asserted: "I&#39;m not an apologist for Rush Limbaugh, but I&#39;m a little bit defensive because I think that the liberal media takes such an unfair view of him."   {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> July 9, 2008, 5:34 pm - <span style="color:#808080;">Indexed:</span> July 10, 2008, 10:31 am - <span style="color:#808080;">Page Size:</span>&nbsp;24KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/society/">Society</a> &gt; <a href="http://www.world-of-newave.info/society/issues/">Issues</a> &gt; <a href="http://www.world-of-newave.info/society/issues/business/">Business</a> &gt; <a href="http://www.world-of-newave.info/society/issues/business/media/">Media</a> &gt;  <a href="http://www.world-of-newave.info/society/issues/business/media/bias-and-balance/"><b>Bias and Balance</b></a></div></td></tr></table>
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</entry>
<entry>
<title>{LITERATURE &gt; CYBERPUNK} - Toronto gallery hangs show of art in opposition to the Canadian DMCA</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/toronto-gallery-hangs-show-of-art-in-opposition-2008075317.htm"/>
<summary type="text/plain">Toronto's Edward Day Gallery has a wonderful response to Canada's proposed new copyright law, Bill C-61, which mirrors (and exceeds) the American DMCA. They've hung a show called Appropos featuring art that the new bill criminalises. The locks will prevent artistic, legitimate and legal uses of media. The Appropriation Art Coalition, a coalition of art professionals across Canada oppose Bill C-61, advocating that if the new legislation is passed, it will make it "illegal to access existing material, modify it, comment on it and/or publicly display it. Criticism, parody and satire, under Bill C-61 become criminal acts." A National Post comments reader, GeofG, suggests that since the Bill prohibits circumventing digital locks, "taking a clip from DVD for purposes of parody or political criticism is outlawed; unlocking your cell phone is banned?as is watching overseas DVD?s". Another response to the Bill from Dala concludes that "A future with digital locks is one where works go into the Disney vault and never come out again". The Appropos group exhibition is based on the work of artists whose use of imagery integrates existing popular culture products/icons. One of the purposes of the exhibition is to emphasize the crucial relevance of appropriation to contemporary visual artists and their studio practice. As revisions to Copyright Act legislation, known as the Act to Amend the Copyright Act, are currently underway by the Canadian government, there are valid concerns that the elements of contemporary artistic practice such as appropriation and "quoting" could potentially be outlawed by draconian legislation. Link (via Geist)...
  
</summary>
<id>http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/toronto-gallery-hangs-show-of-art-in-opposition-2008075317.htm</id>
<issued>2008-07-06T15:40:18Z</issued>
<modified>2008-07-06T15:40:18Z</modified>
<author>
<name>Boingboing.Net</name>
<url>http://www.boingboing.net/2008/07/06/toronto-gallery-hang.html</url>
</author>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Boingboing.Net</span> - Toronto's Edward Day Gallery has a wonderful response to Canada's proposed new copyright law, Bill C-61, which mirrors (and exceeds) the American DMCA. They've hung a show called Appropos featuring art that the new bill criminalises. The locks will prevent artistic, legitimate and legal uses of media. The Appropriation Art Coalition, a coalition of art professionals across Canada oppose Bill C-61, advocating that if the new legislation is passed, it will make it "illegal to access existing material, modify it, comment on it and/or publicly display it. Criticism, parody and satire, under Bill C-61 become criminal acts." A National Post comments reader, GeofG, suggests that since the Bill prohibits circumventing digital locks, "taking a clip from DVD for purposes of parody or political criticism is outlawed; unlocking your cell phone is banned?as is watching overseas DVD?s". Another response to the Bill from Dala concludes that "A future with digital locks is one where works go into the Disney vault and never come out again". The Appropos group exhibition is based on the work of artists whose use of imagery integrates existing popular culture products/icons. One of the purposes of the exhibition is to emphasize the crucial relevance of appropriation to contemporary visual artists and their studio practice. As revisions to Copyright Act legislation, known as the Act to Amend the Copyright Act, are currently underway by the Canadian government, there are valid concerns that the elements of contemporary artistic practice such as appropriation and "quoting" could potentially be outlawed by draconian legislation. Link (via Geist)...
  
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Toronto gallery hangs show of art in opposition to the Canadian DMCA - Boing Boing {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> July 6, 2008, 3:40 pm - <span style="color:#808080;">Indexed:</span> July 8, 2008, 9:14 am - <span style="color:#808080;">Page Size:</span>&nbsp;41KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/arts/">Arts</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/">Literature</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/genres/">Genres</a> &gt;  <a href="http://www.world-of-newave.info/arts/literature/genres/cyberpunk/"><b>Cyberpunk</b></a></div></td></tr></table>
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<entry>
<title>{ISSUES &gt; BIAS AND BALANCE} - Blasting Franken's "vulgarity," Wash. Post 's Gerson touted McCain's "civility," ignoring McCain's "vulgarity" and tolerance of it  </title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/blasting-franken-s-vulgarity-wash-post-s-gerson-20080635924.htm"/>
<summary type="text/plain">In a June 18 Washington
Post column, citing
writings and jokes that are years and even decades old, Michael
Gerson criticized comedian and Minnesota
Democratic senatorial candidate Al Franken for what he called
Franken's "offensive
vulgarity." Gerson wrote: "The objects of Franken's humor --
including political opponents and women -- are not merely mocked but
dehumanized. His trashiness is also nastiness." Gerson later added,
"At its best, politics can offer examples of civility and generosity that
challenge selfishness and prejudice -- the tradition so far embraced by both
John McCain and Barack Obama. At the very least, politics should not actively
push our culture toward vulgarity and viciousness. This is not prudery; it is a
practical concern for the cooperation and mutual respect necessary in a
functioning democracy. And it is hard to believe those causes would be served
by a Sen. Franken." However, in citing McCain as an "example[] of
civility and generosity that challenge selfishness and prejudice," Gerson
ignored McCain's previous personal attacks on Sen. Hillary Clinton, including
an appearance at a 1998 Republican fundraiser where McCain reportedly made what New York Times
columnist Maureen Dowd called a
"disgusting jape": "Why is Chelsea Clinton so ugly? Because her
father is Janet Reno." (He
reportedly later apologized to President Bill Clinton.)

Media Matters for America has documented that McCain tolerated
an attack
on Hillary Clinton as well as took a "swipe" at her during the
presidential campaign. During a November 2007 campaign event in South Carolina, when a
questioner asked McCain, "How do we beat the bitch?" -- presumably
referring to Hillary Clinton -- McCain responded that it was an "excellent
question" and then pointed to a Rasmussen poll that he said showed him
beating Clinton in a head-to-head matchup before saying, "I respect
Senator Clinton." Additionally, an October 18, 2007, Associated Press article reported
that while campaigning in South
  Carolina, McCain "couldn't resist a swipe at
Democratic front-runner Hillary Rodham Clinton." The article noted that
during an appearance at the University
 of South Carolina Upstate
nursing school, "McCain took one look at a ... training mannequin and asked if the
dummy's name was Hillary." The article quoted McCain as saying, "I
was very glad to meet the dummy, named 'Hillary.' "

McCain's campaign has also been linked to personal
attacks against Clinton,
as Media Matters has noted. Before joining the campaign in early June, McCain's deputy
communications director,
Michael Goldfarb,
regularly engaged in the kind of personal smears that McCain has denounced. In his prior capacity as
online editor of The
Weekly Standard, from which he is on leave, Goldfarb
described Clinton as a "shameless panderer" who "lie[s]"
"more than most" politicians and mustered "faux outrage"
that came off as "pathetic whining" about her treatment from the
media. Goldfarb said of Clinton's "3
a.m." ad about the economy: "[D]oes anyone think Clinton wouldn't bite off the heads of at
least three staffers if her much needed beauty sleep was disturbed by a middle
of the night phone call about the economy?"

From Gerson's
June 18 Washington Post column: 

In the razor-close and nationally
important Senate race in Minnesota,
Republican incumbent Norm Coleman is presented with a unique political problem.
Should he raise in his ads the issue of comedian Al Franken's offensive
vulgarity? Or would this risk a backlash against Coleman for coarsening the
public conversation? Remember that when Ken Starr detailed Bill Clinton's most
repulsive antics -- stained dresses and such -- it was Starr who was accused of
sexual obsessiveness. 

[...]

"Porn-O-Rama!" is a modern
campaign document every voter should read -- the Federalist Papers of lifestyle
liberalism. It has the literary sensibilities and moral seriousness of an
awkward adolescent nerd publishing an underground newspaper to shock his way
into campus popularity. But, in this case, the article was written in 2000 by a
48-year-old man. 

Franken's "brand name"
includes other highlights. In 2006, after a long monologue about a dog and its
vomit, Franken impersonated the deceased Sen. Strom Thurmond as saying: "Yeah,
I screwed a woman who was vomiting once." He once proposed a television
sketch about a female CBS reporter being drugged and raped. He has suggested
that his next book title might be "I F -- -- -- Hate Those Right-Wing
Motherf -- -- -- !" At an event hosted by the Feminist Majority Foundation
in 1999, Franken offered this thigh-slapper: "Why don't we focus on what
Afghan women can do? They can cook, bear children and pray. As I recall, that
was fine for our grandmothers." 

Our popular culture, of course,
violates even these expansive boundaries of tastelessness with regularity. We
laugh at comedies featuring the C-word and at cartoons of foul-mouthed
third-graders. In the cause of relevance and realism, our common life is
already decorated with excrement. Why should political discourse be any
different?

For at least one reason: Because
vulgarity is often the opposite of civility. This is not, of course, always
true. I know a brilliant and large-hearted academic with roots in south Philly who
uses the F-word with the frequency of "like" or "and." But
the vulgarity of "The Jerry Springer Show" or misogynous rap music --
the cultural equivalents of Franken's political "satire" -- generally
expresses contempt and cruelty. Franken is not content to disagree with Karl
Rove; he calls him "human filth." He is not satisfied to criticize
Ari Fleischer; Franken terms him a "chimp." The objects of Franken's
humor -- including political opponents and women -- are not merely mocked but
dehumanized. His trashiness is also nastiness. Rather than lampooning the
emptiness and viciousness of our political discourse -- a proper role for
satire -- Franken has powerfully reinforced those failures. 





Some institutions must be more than
a mirror to our culture, including families, religious communities and
government. At its best, politics can offer examples of civility and generosity
that challenge selfishness and prejudice -- the tradition so far embraced by
both John McCain and Barack Obama. At the very least, politics should not
actively push our culture toward vulgarity and viciousness. This is not
prudery; it is a practical concern for the cooperation and mutual respect
necessary in a functioning democracy. And it is hard to believe those causes
would be served by a Sen. Franken. </summary>
<id>http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/blasting-franken-s-vulgarity-wash-post-s-gerson-20080635924.htm</id>
<issued>2008-06-20T01:01:36Z</issued>
<modified>2008-06-20T01:01:36Z</modified>
<author>
<name>Mediamatters.Org</name>
<url>http://mediamatters.org/items/200806190011</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/blasting-franken-s-vulgarity-wash-post-s-gerson-20080635924.htm"><b>Blasting Franken's "vulgarity," Wash. Post 's Gerson touted McCain's "civility," ignoring McCain's "vulgarity" and tolerance of it  </b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/society/issues/business/media/bias-and-balance/blasting-franken-s-vulgarity-wash-post-s-gerson-20080635924.htm" target="_blank">new window</a>}</sup></td></tr>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Mediamatters.Org</span> - In a June 18 Washington
Post column, citing
writings and jokes that are years and even decades old, Michael
Gerson criticized comedian and Minnesota
Democratic senatorial candidate Al Franken for what he called
Franken's "offensive
vulgarity." Gerson wrote: "The objects of Franken's humor --
including political opponents and women -- are not merely mocked but
dehumanized. His trashiness is also nastiness." Gerson later added,
"At its best, politics can offer examples of civility and generosity that
challenge selfishness and prejudice -- the tradition so far embraced by both
John McCain and Barack Obama. At the very least, politics should not actively
push our culture toward vulgarity and viciousness. This is not prudery; it is a
practical concern for the cooperation and mutual respect necessary in a
functioning democracy. And it is hard to believe those causes would be served
by a Sen. Franken." However, in citing McCain as an "example[] of
civility and generosity that challenge selfishness and prejudice," Gerson
ignored McCain's previous personal attacks on Sen. Hillary Clinton, including
an appearance at a 1998 Republican fundraiser where McCain reportedly made what New York Times
columnist Maureen Dowd called a
"disgusting jape": "Why is Chelsea Clinton so ugly? Because her
father is Janet Reno." (He
reportedly later apologized to President Bill Clinton.)

Media Matters for America has documented that McCain tolerated
an attack
on Hillary Clinton as well as took a "swipe" at her during the
presidential campaign. During a November 2007 campaign event in South Carolina, when a
questioner asked McCain, "How do we beat the bitch?" -- presumably
referring to Hillary Clinton -- McCain responded that it was an "excellent
question" and then pointed to a Rasmussen poll that he said showed him
beating Clinton in a head-to-head matchup before saying, "I respect
Senator Clinton." Additionally, an October 18, 2007, Associated Press article reported
that while campaigning in South
  Carolina, McCain "couldn't resist a swipe at
Democratic front-runner Hillary Rodham Clinton." The article noted that
during an appearance at the University
 of South Carolina Upstate
nursing school, "McCain took one look at a ... training mannequin and asked if the
dummy's name was Hillary." The article quoted McCain as saying, "I
was very glad to meet the dummy, named 'Hillary.' "

McCain's campaign has also been linked to personal
attacks against Clinton,
as Media Matters has noted. Before joining the campaign in early June, McCain's deputy
communications director,
Michael Goldfarb,
regularly engaged in the kind of personal smears that McCain has denounced. In his prior capacity as
online editor of The
Weekly Standard, from which he is on leave, Goldfarb
described Clinton as a "shameless panderer" who "lie[s]"
"more than most" politicians and mustered "faux outrage"
that came off as "pathetic whining" about her treatment from the
media. Goldfarb said of Clinton's "3
a.m." ad about the economy: "[D]oes anyone think Clinton wouldn't bite off the heads of at
least three staffers if her much needed beauty sleep was disturbed by a middle
of the night phone call about the economy?"

From Gerson's
June 18 Washington Post column: 

In the razor-close and nationally
important Senate race in Minnesota,
Republican incumbent Norm Coleman is presented with a unique political problem.
Should he raise in his ads the issue of comedian Al Franken's offensive
vulgarity? Or would this risk a backlash against Coleman for coarsening the
public conversation? Remember that when Ken Starr detailed Bill Clinton's most
repulsive antics -- stained dresses and such -- it was Starr who was accused of
sexual obsessiveness. 

[...]

"Porn-O-Rama!" is a modern
campaign document every voter should read -- the Federalist Papers of lifestyle
liberalism. It has the literary sensibilities and moral seriousness of an
awkward adolescent nerd publishing an underground newspaper to shock his way
into campus popularity. But, in this case, the article was written in 2000 by a
48-year-old man. 

Franken's "brand name"
includes other highlights. In 2006, after a long monologue about a dog and its
vomit, Franken impersonated the deceased Sen. Strom Thurmond as saying: "Yeah,
I screwed a woman who was vomiting once." He once proposed a television
sketch about a female CBS reporter being drugged and raped. He has suggested
that his next book title might be "I F -- -- -- Hate Those Right-Wing
Motherf -- -- -- !" At an event hosted by the Feminist Majority Foundation
in 1999, Franken offered this thigh-slapper: "Why don't we focus on what
Afghan women can do? They can cook, bear children and pray. As I recall, that
was fine for our grandmothers." 

Our popular culture, of course,
violates even these expansive boundaries of tastelessness with regularity. We
laugh at comedies featuring the C-word and at cartoons of foul-mouthed
third-graders. In the cause of relevance and realism, our common life is
already decorated with excrement. Why should political discourse be any
different?

For at least one reason: Because
vulgarity is often the opposite of civility. This is not, of course, always
true. I know a brilliant and large-hearted academic with roots in south Philly who
uses the F-word with the frequency of "like" or "and." But
the vulgarity of "The Jerry Springer Show" or misogynous rap music --
the cultural equivalents of Franken's political "satire" -- generally
expresses contempt and cruelty. Franken is not content to disagree with Karl
Rove; he calls him "human filth." He is not satisfied to criticize
Ari Fleischer; Franken terms him a "chimp." The objects of Franken's
humor -- including political opponents and women -- are not merely mocked but
dehumanized. His trashiness is also nastiness. Rather than lampooning the
emptiness and viciousness of our political discourse -- a proper role for
satire -- Franken has powerfully reinforced those failures. 





Some institutions must be more than
a mirror to our culture, including families, religious communities and
government. At its best, politics can offer examples of civility and generosity
that challenge selfishness and prejudice -- the tradition so far embraced by
both John McCain and Barack Obama. At the very least, politics should not
actively push our culture toward vulgarity and viciousness. This is not
prudery; it is a practical concern for the cooperation and mutual respect
necessary in a functioning democracy. And it is hard to believe those causes
would be served by a Sen. Franken. <blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Media Matters - Blasting Franken&#39;s "vulgarity," Wash. Post &#39;s Gerson touted McCain&#39;s "civility," ignoring McCain&#39;s "vulgarity" and tolerance of it   {...} Washington Post columnist Michael Gerson criticized senatorial candidate Al Franken for what he called Franken&#39;s "offensive vulgarity" and wrote: "At its best, politics can offer examples of civility and generosity that challenge selfishness and prejudice -- the tradition so far embraced by both John McCain and Barack Obama." However, Gerson ignored McCain&#39;s previous personal attacks on Sen. Hillary Clinton, including McCain&#39;s reported telling of this joke at a 1998 fundraiser: "Why is Chelsea Clinton so ugly? Because her father is Janet Reno."   {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> June 20, 2008, 1:01 am - <span style="color:#808080;">Indexed:</span> June 21, 2008, 12:18 pm - <span style="color:#808080;">Page Size:</span>&nbsp;22KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/society/">Society</a> &gt; <a href="http://www.world-of-newave.info/society/issues/">Issues</a> &gt; <a href="http://www.world-of-newave.info/society/issues/business/">Business</a> &gt; <a href="http://www.world-of-newave.info/society/issues/business/media/">Media</a> &gt;  <a href="http://www.world-of-newave.info/society/issues/business/media/bias-and-balance/"><b>Bias and Balance</b></a></div></td></tr></table>
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</entry>
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