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<modified>2008-12-02T11:38:48Z</modified>
<tagline>Latest news and articles about Poetry</tagline>
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<entry>
<title>{LIBRARIES &gt; WEBLOGS} - Call for Authors: The Published Librarian: Successful Professional and Personal Writing</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/reference/libraries/library-and-information-science/weblogs/call-for-authors-the-published-librarian-successful-2008123972.htm"/>
<summary type="text/plain">Seeking Submissions from Practicing Librarians (U.S. and Canada) for ALA Editions The Published Librarian: Successful Professional and Personal Writing (American Library Association)Foreword: Bob Blanchard, Adult Services Librarian, Des Plaines Public Library. Contributor to Illinois Librarians; Thinking Outside the Book: Essays for Innovative Librarians (McFarland, 2008)Introductory Note: Wayne Jones, Head of Central Technical Services, Queen?s University, Kingston, Ontario, Canada. Ed., Ontario Library Association, Access; Ed., E-Journals Access and Management (Routledge, 2008)Afterword: Dr. Ann Riedling, LIS Faculty, Mansfield University. Learning to Learn: A Guide to Becoming Information Literate in the 21st Century (Neal-Schuman, 2006)Practical, concise, how-to articles. No previously published, simultaneously submitted, co-authored material. Two articles sharing your publishing experiences: 1900-2100 words total; for example, one article could be 1000 words, another 900-1100 words on another topic. Librarians with ethnic backgrounds serving diverse cultures are encouraged.Editor Carol Smallwood, M.L.S., has written, co-authored, edited 19 books such as Educators as Writers for Scarecrow, Libraries Unlimited, Peter Lang, and others. Her work has appeared in English Journal, Clackamas Literary Review, The Detroit News, Poesia, and several others including anthologies. Pudding House Publications published her chapbook, 2008; Words and Images of Belonging co-edited with Aurorean editor is with an agent; a recent book ishttp://www.mcfarlandpub.com/book-2.php?id=978-0-7864-3575-3.Possible topics: marketing, online publishing, where to send reviews, research skills for historical novels, using editing a library newsletter to edit books, diversity in publication, ideas from students for YA books, using tools like BIP to locate publishers for your books, storytellers turned picture book authors, blogs and author web sites, interviewing, writing groups, networking, using a technology edge, promoting your books at conferences. Using issues librarians face such as censorship in poetry, essays, memoir, short stories, columns.Deadline July 30, 2008Please send more than 2 topics with annotations for feedback; a sample article may be requested. Compensation: a complimentary copy, discount on additional copies. Please submit topics for consideration with a 65-70 word bio. Place LIBRARIANS/your name on the subject line to: smallwood at tm.netSample bio:Suzanne Doe, a subject bibliographer at Central Michigan University, obtained her M.L.I.S. from the University of North Texas. She has been published in American Libraries, Beloit Poetry Journal, Library Trends. Her recent books include: The Mystery Woman (Random House, 2006); Adagio Sunset Candle (Poetry Press, 2008); Midwest Library Organizations (McFarland, forthcoming). She received the Kitty Maize Fiction Award, 2008. An avid skier, Suzanne organizes writing workshops for Pine Arts Council.</summary>
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<issued>2008-12-01T09:51:48Z</issued>
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<name>Information-literacy.Net</name>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/reference/libraries/library-and-information-science/weblogs/call-for-authors-the-published-librarian-successful-2008123972.htm"><b>Call for Authors: The Published Librarian: Successful Professional and Personal Writing</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/reference/libraries/library-and-information-science/weblogs/call-for-authors-the-published-librarian-successful-2008123972.htm" target="_blank">new window</a>}</sup></td></tr>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Information-literacy.Net</span> - Seeking Submissions from Practicing Librarians (U.S. and Canada) for ALA Editions The Published Librarian: Successful Professional and Personal Writing (American Library Association)Foreword: Bob Blanchard, Adult Services Librarian, Des Plaines Public Library. Contributor to Illinois Librarians; Thinking Outside the Book: Essays for Innovative Librarians (McFarland, 2008)Introductory Note: Wayne Jones, Head of Central Technical Services, Queen?s University, Kingston, Ontario, Canada. Ed., Ontario Library Association, Access; Ed., E-Journals Access and Management (Routledge, 2008)Afterword: Dr. Ann Riedling, LIS Faculty, Mansfield University. Learning to Learn: A Guide to Becoming Information Literate in the 21st Century (Neal-Schuman, 2006)Practical, concise, how-to articles. No previously published, simultaneously submitted, co-authored material. Two articles sharing your publishing experiences: 1900-2100 words total; for example, one article could be 1000 words, another 900-1100 words on another topic. Librarians with ethnic backgrounds serving diverse cultures are encouraged.Editor Carol Smallwood, M.L.S., has written, co-authored, edited 19 books such as Educators as Writers for Scarecrow, Libraries Unlimited, Peter Lang, and others. Her work has appeared in English Journal, Clackamas Literary Review, The Detroit News, Poesia, and several others including anthologies. Pudding House Publications published her chapbook, 2008; Words and Images of Belonging co-edited with Aurorean editor is with an agent; a recent book ishttp://www.mcfarlandpub.com/book-2.php?id=978-0-7864-3575-3.Possible topics: marketing, online publishing, where to send reviews, research skills for historical novels, using editing a library newsletter to edit books, diversity in publication, ideas from students for YA books, using tools like BIP to locate publishers for your books, storytellers turned picture book authors, blogs and author web sites, interviewing, writing groups, networking, using a technology edge, promoting your books at conferences. Using issues librarians face such as censorship in poetry, essays, memoir, short stories, columns.Deadline July 30, 2008Please send more than 2 topics with annotations for feedback; a sample article may be requested. Compensation: a complimentary copy, discount on additional copies. Please submit topics for consideration with a 65-70 word bio. Place LIBRARIANS/your name on the subject line to: smallwood at tm.netSample bio:Suzanne Doe, a subject bibliographer at Central Michigan University, obtained her M.L.I.S. from the University of North Texas. She has been published in American Libraries, Beloit Poetry Journal, Library Trends. Her recent books include: The Mystery Woman (Random House, 2006); Adagio Sunset Candle (Poetry Press, 2008); Midwest Library Organizations (McFarland, forthcoming). She received the Kitty Maize Fiction Award, 2008. An avid skier, Suzanne organizes writing workshops for Pine Arts Council.<div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Indexed:</span> December 1, 2008, 9:51 am - <span style="color:#808080;">Page Size:</span>&nbsp;1KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/reference/">Reference</a> &gt; <a href="http://www.world-of-newave.info/reference/libraries/">Libraries</a> &gt; <a href="http://www.world-of-newave.info/reference/libraries/library-and-information-science/">Library and Information Science</a> &gt;  <a href="http://www.world-of-newave.info/reference/libraries/library-and-information-science/weblogs/"><b>Weblogs</b></a></div></td></tr></table>
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<entry>
<title>{NORTH AMERICA &gt; RENTALS} - Looking for grounded peaceful roommate (USF / panhandle) $644</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/looking-for-grounded-peaceful-roommate-usf-panhandle-2008125271.htm"/>
<summary type="text/plain">We are looking for a third roommate to share our three bedroom Victorian.(Centrally located near Upper Haight shops but still in a quiet neighborhood.)
The house is a soulful old Victorian with hardwood floors, a split bathroom, a spacious kitchen, living room, basement, and a yard eager to be gardened.

The room is 12 by 14 with a walk in closet, high ceilings, a shared porch, and large windows with a lovely view.

Doug is a 29 year old environmental studies major, spiritually grounded professional dancer, cook, and avid cycler.  Laila is  a 35 year old former therapist, present preschool teacher into Buddhism, Shamanism, Sufi poetry, and Harry Potter.

We're looking for the right addition to our quiet home so please tell us about yourself.  Include your age, job, what you love and what you're looking for in a household.  The move in date is January 1 and the rent is 644 plus utilities.   
</summary>
<id>http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/looking-for-grounded-peaceful-roommate-usf-panhandle-2008125271.htm</id>
<issued>2008-12-01T06:28:16Z</issued>
<modified>2008-12-01T06:28:16Z</modified>
<author>
<name>Sfbay.Craigslist.Org</name>
<url>http://sfbay.craigslist.org/sfc/roo/940029864.html</url>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/looking-for-grounded-peaceful-roommate-usf-panhandle-2008125271.htm"><b>Looking for grounded peaceful roommate (USF / panhandle) $644</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/looking-for-grounded-peaceful-roommate-usf-panhandle-2008125271.htm" target="_blank">new window</a>}</sup></td></tr>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Sfbay.Craigslist.Org</span> - We are looking for a third roommate to share our three bedroom Victorian.(Centrally located near Upper Haight shops but still in a quiet neighborhood.)
The house is a soulful old Victorian with hardwood floors, a split bathroom, a spacious kitchen, living room, basement, and a yard eager to be gardened.

The room is 12 by 14 with a walk in closet, high ceilings, a shared porch, and large windows with a lovely view.

Doug is a 29 year old environmental studies major, spiritually grounded professional dancer, cook, and avid cycler.  Laila is  a 35 year old former therapist, present preschool teacher into Buddhism, Shamanism, Sufi poetry, and Harry Potter.

We're looking for the right addition to our quiet home so please tell us about yourself.  Include your age, job, what you love and what you're looking for in a household.  The move in date is January 1 and the rent is 644 plus utilities.   
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Looking for grounded peaceful roommate {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> December 1, 2008, 6:28 am - <span style="color:#808080;">Indexed:</span> December 1, 2008, 8:17 am - <span style="color:#808080;">Page Size:</span>&nbsp;5KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/">North America</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/">United States</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/">California</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/">Metro Areas</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/">San Francisco Bay Area</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/">Business and Economy</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/">Real Estate</a> &gt;  <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/"><b>Rentals</b></a></div></td></tr></table>
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<entry>
<title>{EUROPE &gt; NEWS AND MEDIA} - Season's readings: writers and politicians pick the best reads of 2008</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/season-s-readings-writers-and-politicians-pick-20081167627.htm"/>
<summary type="text/plain">Chimamanda Ngozi AdichieSet during and after the Lebanese civil war, Rawi Hage's extraordinary De Niro's Game (Old Street) is about the bravado and betrayal of two friends. Hage bends the English language to his will, mixes poetry and history, and never forgets the humanity of his characters. José Eduardo Agualusa's The Book of Chameleons, translated by Daniel Hahn (Arcadia), is told from the point of view of a gecko, but there is nothing gimmicky in this beautiful book about an Angolan albino who invents alternate pasts for his clients. It is a grown-up story about memory, about the reinvention of the past, about a country getting to know itself again, and told in such exquisite language that I wished I could have read it in the original Portuguese.Monica AliI loved Sebastian Faulks's Engleby (Vintage), which contains the best and funniest description of a dinner party I have ever read. Joseph O'Neill's Netherland (Fourth Estate) is so beautifully written I immediately bought a couple more copies to give to friends. Alan Bennett's The Uncommon Reader (Profile) would make a perfect stocking filler for just about anyone. Any fans of The Wire suffering withdrawal symptoms should load up on Richard Price (one of the show's writers), starting with Clockers and including his recent offering, Lush Life (Bloomsbury).Tariq AliI was much impressed by two debut novels by south Asian writers who, unlike many local counterparts, write about things that matter. Mohammed Hanif's A Case of Exploding Mangoes (Cape) is a surreal thriller dealing with the assassination of a Pakistani military dictator. At times incredibly funny, it also, like a Buñuel film, captures the sinister side of life. Tahmima Anam's The Golden Age (John Murray) explores the painful birth-pangs of Bangladesh through the eyes of a family wrecked by the war.Ronald Fraser's magisterial history Napoleon's Accursed War (Verso) is a brilliant view from below of the popular Spanish resistance to French invasion, in what the insular Brits still call the Peninsular war, when the term "guerrilla" came into common currency. One of the great epics of the 19th century, properly recovered for the first time by Fraser in all its ambiguities and tragedies, along with its popular heroism, it's continuously moving, without a trace of sentimentality.Sebastian BarryThere is a very special sort of gratitude you can feel for a book so formidably well written that it has you anxious to get back to it and pining a little to be away from it, and one such book for me was Joseph O'Neill's novel Netherland. I read it in proof, when a book is strangely innocent and even vulnerable I suppose, and when for a brief and possibly foolish moment you can feel that you are the only reader. But as it turned out, the rest of the planet felt the same about it, hurrah. I also admired greatly the achievement of two Irish books, Disguise by Hugo Hamilton (Fourth Estate) and Molly Fox's Birthday by Deirdre Madden (Faber). The Australian master Alex Miller published a book of sober beauty called Landscape of Farewell (Allen &amp; Unwin), and in Canada Joseph Boyden's Through Black Spruce (Weidenfeld &amp; Nicolson) is another novel of gratitude-inspiring prose. Jonathan BateJG Ballard's memoir, Miracles of Life (Fourth Estate), is a miracle of prose and of modesty. Second, an audiobook. Poetry needs to be heard aloud. By no means all poets are their own best readers, but Ted Hughes was. The British Library double CD The Spoken Word - Ted Hughes: Poems and Short Stories offers a treasure trove of BBC recordings from throughout his career. Most literary reputations nosedive in the first decade after death; that of Hughes has rightly soared.William BoydThe most original novel I read in 2008 was Gordon Burn's Born Yesterday (Faber). It is a highly sophisticated take on the news that was served up to us by the media in 2007. Burn's great gift is to make us see these events - that we were all very aware of - anew, through the filter of his fiction. No one has written more shrewdly and knowingly about popular newspaper culture than Burn, but with this novel he taps into something more profound and sinister.The most original novel of 1842, Nicolai Gogol's Dead Souls, has achieved a magnificent rebirth in 2008 through Donald Rayfield's superb new translation (The Garnett Press). Rayfield's translation is one that Vladimir Nabokov would unreservedly admire and is accompanied by dozens of superb, hitherto unseen illustrations by Marc Chagall. A big, beautiful book and a mould-breaking classic reinvigorated.Gordon BrownOne book I've been recommending to friends and colleagues lately is Tony Badger's new book on Roosevelt, FDR: The First 100 Days (Hill &amp; Wang). It's a classic example of how a work of history can illuminate the issues we're dealing with today. What it brings out with such clarity is how Roosevelt, faced with an economic crisis of unprecedented severity, was prepared to put aside conventional policy approaches and, instead, had the courage to innovate and improvise to see what would work. The imagination and humanity at the heart of some of the great New Deal innovations - such as the Tennessee Valley Authority or the Civilian Conservation Corps - changed American politics for ever, and shaped the future of progressive politics across the world. At the same time, this book illustrates FDR's skills as a communicator and a political operator, which earned him the public support and political space he needed for his programme to succeed. It's a brilliantly written, compelling and moving portrait of the man, and it's another outstanding example of how British historians add so much to the field of American history.AS ByattOne biography: Jackie Wullschlager's endlessly absorbing account of Chagall and European life, wars, arts and ideologies (Chagall: Love and Exile, Allen Lane). I still don't love Chagall, but every page of this tale is enthralling, gripping and strange. Three novels. Philip Hensher's The Northern Clemency (Fourth Estate), about Sheffield in the Thatcher years. Hensher understands people and he understands politics. He understands the wise, the mean and the absurd. Michelle de Kretser's The Lost Dog (Chatto &amp; Windus), which is one of the best-written books I've read for years. She writes with clarity and wit and thoughtfulness. And Nadeem Aslam's powerful Afghanistan novel The Wasted Vigil (Faber). This book is terrifying. It is also tragic and beautifully written, and changes the reader.Carmen CallilI have spent many happy hours reading So I Have Thought of You: The Letters of Penelope Fitzgerald (Fourth Estate). Until a biography of this genius comes along, we have these letters, so ironic, idiosyncratic and beautiful. Because her letters are full of the stuff of every day and because her life straddled the last century (she died in 2000), her correspondence presents both a public and private portrait of an age. And every letter made me think: if Jane Austen had been permitted to live a century or two later, had lived in England through two world wars and had been allowed to take part in the ups and downs of domestic and literary life, she would have been just like Penelope Fitzgerald. Alastair CampbellI missed Mohsin Hamid's The Reluctant Fundamentalist (Hamish Hamilton) when it came out in hardback, but picked up the paperback at City airport a few months ago. It was one of those rare occasions when I wanted the flight to be longer so I did not have to stop reading. The narrative device - the entire novel is just one side of a conversation between two strangers in a Lahore café - could have been very limiting. But it is the perfect vehicle for a beautifully written story that builds in intensity to a climax that has you thinking long after the book is closed. Jonathan CoeSebastian Barry's The Secret Scripture (Faber) deserved all the attention it got, and more. Much has been written about the beauty of Barry's prose, but what really impressed me about this novel was its exquisite plotting, the way it threw a brilliantly calculated curve ball at the reader in its closing pages, and then finished with a satisfying click. I also loved Andrew Crumey's Sputnik Caledonia (Picador), the most impressive achievement yet from a still undervalued writer: in its combination of dystopian science fiction with warm but unsentimental childhood memoir, it struck me as being firmly in the tradition of - and worthy of comparison with - Alasdair Gray's Lanark. Talking of Gray, he was lucky this year to find a first-rate biographer in Rodge Glass, whose Alasdair Gray: A Secretary's Biography (Bloomsbury) is a thorough, loving portrait of the artist as quirky genius.Margaret DrabbleDavid Lodge's Deaf Sentence (Harvill Secker) is a touching and humane treatment of deafness, disability and ageing, at once sad and stoic and intermittently witty, and, as always with Lodge, it is readable and accessible: a fine addition to his oeuvre. Adam Mars-Jones's remarkable novel Pilcrow (Faber) is also about disability, written with bravura and an extraordinary and inexplicable joyfulness. Ma Jian's Beijing Coma, translated by Flora Drew (Chatto &amp; Windus), is almost unremittingly tragic, and made me feel quite ill, but was well worth the effort - bravely published, bravely translated, a grim and important novel about a crisis in world history.Dave EggersDexter Filkins's The Forever War (Bodley Head) is the best piece of war journalism I've ever read. He paints a portrait of war that is so nuanced, so filled with absurdities and heartbreak and unexpected heroes and villains, that it makes most of what we see and hear about Iraq and Afghanistan seem shrill and two-dimensional by comparison. And yet, as tragic as the events he describes are, the book manages to be a thing of towering beauty.Anne EnrightIt is hard to think of someone better suited to the task of interviewing Seamus Heaney than Dennis O'Driscoll, who is himself a poet of great tact and rigour. Stepping Stones (Faber) is a deeply nourishing book in which Heaney remains as completely open and entirely elusive as he has always been. Helen Garner was my favourite discovery of the year, though she has been annoying her native Australia for a long time now. She has a voice of great honesty and energy, and The Spare Room (Canongate), which is about a friend's inconvenient illness, manages to be both compassionate and cross at the same time. I also loved How Shall I Tell the Dog? (Profile), a series of letters from Miles Kington to his (and my) wonderful agent Gill Coleridge, in which he pitches ideas for books about dying - which was, in fact, what he was doing at the time. This is such a classy, funny book. What a great, great way to go. Richard FordA Writer at War: Vasily Grossman with the Red Army, 1941-1945 by Vasily Grossman, translated by Antony Beevor and Luba Vonigradova (Pimlico) - by the author of the astonishing (and epic) novel Life and Fate. These are Grossman's raw yet eloquent cables, sent to the Red Star, as the Nazis pushed savagely into, and then were forced (as savagely) out of, the Soviet Union, along the great eastern front that stretched almost from Moscow to the Black Sea. Writing about war would seem, by definition, not to be inspiring. But this is.Molly Fox's Birthday is an old-fashioned (seeming) novel, about a bountiful subject - our human character and our need to imagine it rather than assume it. Deirdre Madden's prose is crystalline, understated, apparently effortless and artfully suitable. She really does not remind me of anybody I've read before. And yet, like other formidable writers - Mavis Gallant, Margaret Atwood, even Elizabeth Bowen come to mind - she is after something intrinsic and riddling but essential in us all, something that probably doesn't exist until we've read every word this book contains. It is ambitious work. Madden is a first-rate novelist.? Season's readings (next): recommendations from Antonia Fraser to Jackie KayBest books of the yearBest booksFictionguardian.co.uk © Guardian News &amp; Media Limited 2008 | Use of this content is subject to our Terms &amp; Conditions | More Feeds
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<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/season-s-readings-writers-and-politicians-pick-20081167627.htm</id>
<issued>2008-11-29T00:01:41Z</issued>
<modified>2008-11-29T00:01:41Z</modified>
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<name>Guardian.Co.Uk</name>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Guardian.Co.Uk</span> - Chimamanda Ngozi AdichieSet during and after the Lebanese civil war, Rawi Hage's extraordinary De Niro's Game (Old Street) is about the bravado and betrayal of two friends. Hage bends the English language to his will, mixes poetry and history, and never forgets the humanity of his characters. José Eduardo Agualusa's The Book of Chameleons, translated by Daniel Hahn (Arcadia), is told from the point of view of a gecko, but there is nothing gimmicky in this beautiful book about an Angolan albino who invents alternate pasts for his clients. It is a grown-up story about memory, about the reinvention of the past, about a country getting to know itself again, and told in such exquisite language that I wished I could have read it in the original Portuguese.Monica AliI loved Sebastian Faulks's Engleby (Vintage), which contains the best and funniest description of a dinner party I have ever read. Joseph O'Neill's Netherland (Fourth Estate) is so beautifully written I immediately bought a couple more copies to give to friends. Alan Bennett's The Uncommon Reader (Profile) would make a perfect stocking filler for just about anyone. Any fans of The Wire suffering withdrawal symptoms should load up on Richard Price (one of the show's writers), starting with Clockers and including his recent offering, Lush Life (Bloomsbury).Tariq AliI was much impressed by two debut novels by south Asian writers who, unlike many local counterparts, write about things that matter. Mohammed Hanif's A Case of Exploding Mangoes (Cape) is a surreal thriller dealing with the assassination of a Pakistani military dictator. At times incredibly funny, it also, like a Buñuel film, captures the sinister side of life. Tahmima Anam's The Golden Age (John Murray) explores the painful birth-pangs of Bangladesh through the eyes of a family wrecked by the war.Ronald Fraser's magisterial history Napoleon's Accursed War (Verso) is a brilliant view from below of the popular Spanish resistance to French invasion, in what the insular Brits still call the Peninsular war, when the term "guerrilla" came into common currency. One of the great epics of the 19th century, properly recovered for the first time by Fraser in all its ambiguities and tragedies, along with its popular heroism, it's continuously moving, without a trace of sentimentality.Sebastian BarryThere is a very special sort of gratitude you can feel for a book so formidably well written that it has you anxious to get back to it and pining a little to be away from it, and one such book for me was Joseph O'Neill's novel Netherland. I read it in proof, when a book is strangely innocent and even vulnerable I suppose, and when for a brief and possibly foolish moment you can feel that you are the only reader. But as it turned out, the rest of the planet felt the same about it, hurrah. I also admired greatly the achievement of two Irish books, Disguise by Hugo Hamilton (Fourth Estate) and Molly Fox's Birthday by Deirdre Madden (Faber). The Australian master Alex Miller published a book of sober beauty called Landscape of Farewell (Allen & Unwin), and in Canada Joseph Boyden's Through Black Spruce (Weidenfeld & Nicolson) is another novel of gratitude-inspiring prose. Jonathan BateJG Ballard's memoir, Miracles of Life (Fourth Estate), is a miracle of prose and of modesty. Second, an audiobook. Poetry needs to be heard aloud. By no means all poets are their own best readers, but Ted Hughes was. The British Library double CD The Spoken Word - Ted Hughes: Poems and Short Stories offers a treasure trove of BBC recordings from throughout his career. Most literary reputations nosedive in the first decade after death; that of Hughes has rightly soared.William BoydThe most original novel I read in 2008 was Gordon Burn's Born Yesterday (Faber). It is a highly sophisticated take on the news that was served up to us by the media in 2007. Burn's great gift is to make us see these events - that we were all very aware of - anew, through the filter of his fiction. No one has written more shrewdly and knowingly about popular newspaper culture than Burn, but with this novel he taps into something more profound and sinister.The most original novel of 1842, Nicolai Gogol's Dead Souls, has achieved a magnificent rebirth in 2008 through Donald Rayfield's superb new translation (The Garnett Press). Rayfield's translation is one that Vladimir Nabokov would unreservedly admire and is accompanied by dozens of superb, hitherto unseen illustrations by Marc Chagall. A big, beautiful book and a mould-breaking classic reinvigorated.Gordon BrownOne book I've been recommending to friends and colleagues lately is Tony Badger's new book on Roosevelt, FDR: The First 100 Days (Hill & Wang). It's a classic example of how a work of history can illuminate the issues we're dealing with today. What it brings out with such clarity is how Roosevelt, faced with an economic crisis of unprecedented severity, was prepared to put aside conventional policy approaches and, instead, had the courage to innovate and improvise to see what would work. The imagination and humanity at the heart of some of the great New Deal innovations - such as the Tennessee Valley Authority or the Civilian Conservation Corps - changed American politics for ever, and shaped the future of progressive politics across the world. At the same time, this book illustrates FDR's skills as a communicator and a political operator, which earned him the public support and political space he needed for his programme to succeed. It's a brilliantly written, compelling and moving portrait of the man, and it's another outstanding example of how British historians add so much to the field of American history.AS ByattOne biography: Jackie Wullschlager's endlessly absorbing account of Chagall and European life, wars, arts and ideologies (Chagall: Love and Exile, Allen Lane). I still don't love Chagall, but every page of this tale is enthralling, gripping and strange. Three novels. Philip Hensher's The Northern Clemency (Fourth Estate), about Sheffield in the Thatcher years. Hensher understands people and he understands politics. He understands the wise, the mean and the absurd. Michelle de Kretser's The Lost Dog (Chatto & Windus), which is one of the best-written books I've read for years. She writes with clarity and wit and thoughtfulness. And Nadeem Aslam's powerful Afghanistan novel The Wasted Vigil (Faber). This book is terrifying. It is also tragic and beautifully written, and changes the reader.Carmen CallilI have spent many happy hours reading So I Have Thought of You: The Letters of Penelope Fitzgerald (Fourth Estate). Until a biography of this genius comes along, we have these letters, so ironic, idiosyncratic and beautiful. Because her letters are full of the stuff of every day and because her life straddled the last century (she died in 2000), her correspondence presents both a public and private portrait of an age. And every letter made me think: if Jane Austen had been permitted to live a century or two later, had lived in England through two world wars and had been allowed to take part in the ups and downs of domestic and literary life, she would have been just like Penelope Fitzgerald. Alastair CampbellI missed Mohsin Hamid's The Reluctant Fundamentalist (Hamish Hamilton) when it came out in hardback, but picked up the paperback at City airport a few months ago. It was one of those rare occasions when I wanted the flight to be longer so I did not have to stop reading. The narrative device - the entire novel is just one side of a conversation between two strangers in a Lahore café - could have been very limiting. But it is the perfect vehicle for a beautifully written story that builds in intensity to a climax that has you thinking long after the book is closed. Jonathan CoeSebastian Barry's The Secret Scripture (Faber) deserved all the attention it got, and more. Much has been written about the beauty of Barry's prose, but what really impressed me about this novel was its exquisite plotting, the way it threw a brilliantly calculated curve ball at the reader in its closing pages, and then finished with a satisfying click. I also loved Andrew Crumey's Sputnik Caledonia (Picador), the most impressive achievement yet from a still undervalued writer: in its combination of dystopian science fiction with warm but unsentimental childhood memoir, it struck me as being firmly in the tradition of - and worthy of comparison with - Alasdair Gray's Lanark. Talking of Gray, he was lucky this year to find a first-rate biographer in Rodge Glass, whose Alasdair Gray: A Secretary's Biography (Bloomsbury) is a thorough, loving portrait of the artist as quirky genius.Margaret DrabbleDavid Lodge's Deaf Sentence (Harvill Secker) is a touching and humane treatment of deafness, disability and ageing, at once sad and stoic and intermittently witty, and, as always with Lodge, it is readable and accessible: a fine addition to his oeuvre. Adam Mars-Jones's remarkable novel Pilcrow (Faber) is also about disability, written with bravura and an extraordinary and inexplicable joyfulness. Ma Jian's Beijing Coma, translated by Flora Drew (Chatto & Windus), is almost unremittingly tragic, and made me feel quite ill, but was well worth the effort - bravely published, bravely translated, a grim and important novel about a crisis in world history.Dave EggersDexter Filkins's The Forever War (Bodley Head) is the best piece of war journalism I've ever read. He paints a portrait of war that is so nuanced, so filled with absurdities and heartbreak and unexpected heroes and villains, that it makes most of what we see and hear about Iraq and Afghanistan seem shrill and two-dimensional by comparison. And yet, as tragic as the events he describes are, the book manages to be a thing of towering beauty.Anne EnrightIt is hard to think of someone better suited to the task of interviewing Seamus Heaney than Dennis O'Driscoll, who is himself a poet of great tact and rigour. Stepping Stones (Faber) is a deeply nourishing book in which Heaney remains as completely open and entirely elusive as he has always been. Helen Garner was my favourite discovery of the year, though she has been annoying her native Australia for a long time now. She has a voice of great honesty and energy, and The Spare Room (Canongate), which is about a friend's inconvenient illness, manages to be both compassionate and cross at the same time. I also loved How Shall I Tell the Dog? (Profile), a series of letters from Miles Kington to his (and my) wonderful agent Gill Coleridge, in which he pitches ideas for books about dying - which was, in fact, what he was doing at the time. This is such a classy, funny book. What a great, great way to go. Richard FordA Writer at War: Vasily Grossman with the Red Army, 1941-1945 by Vasily Grossman, translated by Antony Beevor and Luba Vonigradova (Pimlico) - by the author of the astonishing (and epic) novel Life and Fate. These are Grossman's raw yet eloquent cables, sent to the Red Star, as the Nazis pushed savagely into, and then were forced (as savagely) out of, the Soviet Union, along the great eastern front that stretched almost from Moscow to the Black Sea. Writing about war would seem, by definition, not to be inspiring. But this is.Molly Fox's Birthday is an old-fashioned (seeming) novel, about a bountiful subject - our human character and our need to imagine it rather than assume it. Deirdre Madden's prose is crystalline, understated, apparently effortless and artfully suitable. She really does not remind me of anybody I've read before. And yet, like other formidable writers - Mavis Gallant, Margaret Atwood, even Elizabeth Bowen come to mind - she is after something intrinsic and riddling but essential in us all, something that probably doesn't exist until we've read every word this book contains. It is ambitious work. Madden is a first-rate novelist.? Season's readings (next): recommendations from Antonia Fraser to Jackie KayBest books of the yearBest booksFictionguardian.co.uk © Guardian News & Media Limited 2008 | Use of this content is subject to our Terms & Conditions | More Feeds
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">			Season's readings: writers and politicians pick the best reads of 2008 |				Books |				The Guardian	 {...} A novel about cricket in New York, interviews with a Nobel poet, and a Hollywood memoir by a chimp . . . writers and politicians pick the best of 2008 {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 29, 2008, 12:01 am - <span style="color:#808080;">Indexed:</span> November 29, 2008, 11:26 am - <span style="color:#808080;">Page Size:</span>&nbsp;91KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/"><b>News and Media</b></a></div></td></tr></table>
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<title>{LITERATURE &gt; CYBERPUNK} - Poetry goes Boing!</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poetry-goes-boing-20081120127.htm"/>
<summary type="text/plain">The poetry competition announced in We can has games has been a huge success. We must have more of these, and soon. The game this time was to write verse poetry about one or more recurrent Boing Boing obsessions, with the winner to receive a Gears of War 2 Special Edition Zune 120 GB. Readers responded with a thread over two hundred messages long that's full of charming, surprising, and even impressive poetry. And if you don't read the whole thing, you have only yourself to blame. Picking the winner was tough. At great effort and expense, I brought in the head of the science fiction line at the world's largest English-language science fiction publishing house to help me judge it, but it was still hard to narrow the choice down to a single poem. Nevertheless ? (picks up envelope) ? the winner is: SpatulaLilacs @41, "Sestina of a Reluctant Copyfighter." Which, O my word, is a rigidly formal sestina that maintains both natural language and perfect iambic pentameter while developing a coherent argument about copyright issues. That's something you don't see every day. Sestina of a Reluctant Copyfighter I download stuff. Not all of it is "free" -- Or meant to be, at least. But people share. It's all right if you take what I create. I'd never copy-shackle my own art. I have a hankering for the obscure, And I will stay obscure as well, by rights. I know, of course, i haven't got the right: no "information-wanting-to-be-free" or any other jargon can obscure the fact that when we, as we put it, "share," we replicate another person's art. Are copies something I should not create? But in the past, we couldn't just create; the learnéd men who scribbled out our rights did not foresee this replicable art, which makes another of itself for free. And if they did, why tell us not to share? Conspiracy? Some purpose more obscure? I know, the artist's needs are not "obscure." But I don't see the people who create receiving, from the middle-man, their share -- they've all too often signed away their rights, and found themselves endeavoring for free to do a deed that's less and less an art. But certainly this isn't all of art; just most of art that isn't so obscure. The margins (blesséd margins!) leave you free, uncensored and unhindered, to create. But on the margin, who protects your rights? Forget your rights. Embrace your fanbase. Share. If just a thousand, seeing that you share, decide they love you and they love your art, then you won't need to sweat about your rights. You can be happy, healthy, and obscure, as long as you remember to create at least a couple things that aren't free. So free your mind before you grab your share. Don't litigate, just go create some art! And let the lawyers sort obscurer rights. The top ten other poems from the thread, not in order of merit: JustKristin @28, "We heard a crunch before it died." Emily Dickinson does tech support. (You should get a look at Kristin's other pastiches. She has a fine ear.) Olof @29: Boing Boing does Jabberwock, or possibly Jabberwock does Boing Boing. Cloudform @74, "Annabel LED." A popular favorite, and definitely one of the poems that made it hard to pick a single winner. Madeley @80, "Web Zen." A small but very cute pantoum. (Note: Be impressed. Pantoums are hard, like villanelles only more so.) Rachelboing @84: a sonnet on feet. Lumi the Valiant @85, "The Charge of the Boing Boingers," with muttered apologies to Tennyson. ELloyd74 @114 had the sleekest rhymes. TDawwg @113 argued with me, elegantly, in "A Poetickall Epistle Direckted at Our Moderator By Way of Metrickall Clarification." HKDailo @130 rapped, inventively. Jfaehnle @168, "Sex-Bot Villanelle; or, VW5yZXF1aXRlZCBMb3Zl.". Other notables achievements: Props to David Carroll @43, for constructing a crossword puzzle (and later, posting the solution). Props also to Shutz, at various points in the thread, for doing some real thinking about future games. As was only appropriate for a competition that started on 11/11, we got three notable pastiches of famous war poems: Mel Rodriguez @50 did Wilfred Owens' "Dulce et Decorum Est"; Jazzbo @134 did John Gillespie Magee's "High Flier"; and TaoArt @150 did John McCrae's "In Flanders Fields." Some of the best poems in the thread were written by first-time commenters. I don't yet have a complete list of them, so I'll put that in the comment thread. Kieran O'Neill @142, "Your country's gender disjunction," was the best poem written as a comment in a current thread. Second place in that category goes to MXJohnson @132 for From "Your shoe is jacked into my eye" and "Call to makers: woman wants webcam to replace lost eye". Oskar @33 is to be commended for his presentation, and his attitude. Entertaining your readers by showing off really well is at the heart of the game. Triscuit @72 wrote the best haiku. Foetusnail @187 wins for Most Improved. Second place for Most Improved: JanusNode @151, "Ode to Boing Boing." Frazbin @202, for the tidiest poem on the least hygienic subject. MinTphresh @91 and @183, for spiritual truth. Other poems that a different judge might have scored higher: TangoBrain @152, "Encryptus." :: Chriziem @141, Chriziem @141, "Steampunk Elegy." :: Jmanooch @167, "Carousel: On a Reading of Boing Boing." :: Aila @158, "Guerrilla Gardener." :: MFGG @48, a panegyric sonnet. :: CK @87, who is funny and accurate. :: Mr. Orion @104, who is also fun to read, and would undoubtedly have scored higher if he'd labeled his work as a haiku sequence rather than a series of one-offs. :: Deviant @107's heroic quatrains about a boy and his sexbot making a stand against the zombie apocalypse. :: Boba Fett Diop @111 doing Lucas via Homer via Richmond Lattimore. :: WillAlex @173, a zombie sonnet. :: Met Ower @131, "Lurker Lament."...


</summary>
<id>http://articles.world-of-newave.info/arts/literature/genres/cyberpunk/poetry-goes-boing-20081120127.htm</id>
<issued>2008-11-24T15:36:37Z</issued>
<modified>2008-11-24T15:36:37Z</modified>
<author>
<name>Boingboing.Net</name>
<url>http://www.boingboing.net/2008/11/24/poetry-goes-boing.html</url>
</author>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Boingboing.Net</span> - The poetry competition announced in We can has games has been a huge success. We must have more of these, and soon. The game this time was to write verse poetry about one or more recurrent Boing Boing obsessions, with the winner to receive a Gears of War 2 Special Edition Zune 120 GB. Readers responded with a thread over two hundred messages long that's full of charming, surprising, and even impressive poetry. And if you don't read the whole thing, you have only yourself to blame. Picking the winner was tough. At great effort and expense, I brought in the head of the science fiction line at the world's largest English-language science fiction publishing house to help me judge it, but it was still hard to narrow the choice down to a single poem. Nevertheless ? (picks up envelope) ? the winner is: SpatulaLilacs @41, "Sestina of a Reluctant Copyfighter." Which, O my word, is a rigidly formal sestina that maintains both natural language and perfect iambic pentameter while developing a coherent argument about copyright issues. That's something you don't see every day. Sestina of a Reluctant Copyfighter I download stuff. Not all of it is "free" -- Or meant to be, at least. But people share. It's all right if you take what I create. I'd never copy-shackle my own art. I have a hankering for the obscure, And I will stay obscure as well, by rights. I know, of course, i haven't got the right: no "information-wanting-to-be-free" or any other jargon can obscure the fact that when we, as we put it, "share," we replicate another person's art. Are copies something I should not create? But in the past, we couldn't just create; the learnéd men who scribbled out our rights did not foresee this replicable art, which makes another of itself for free. And if they did, why tell us not to share? Conspiracy? Some purpose more obscure? I know, the artist's needs are not "obscure." But I don't see the people who create receiving, from the middle-man, their share -- they've all too often signed away their rights, and found themselves endeavoring for free to do a deed that's less and less an art. But certainly this isn't all of art; just most of art that isn't so obscure. The margins (blesséd margins!) leave you free, uncensored and unhindered, to create. But on the margin, who protects your rights? Forget your rights. Embrace your fanbase. Share. If just a thousand, seeing that you share, decide they love you and they love your art, then you won't need to sweat about your rights. You can be happy, healthy, and obscure, as long as you remember to create at least a couple things that aren't free. So free your mind before you grab your share. Don't litigate, just go create some art! And let the lawyers sort obscurer rights. The top ten other poems from the thread, not in order of merit: JustKristin @28, "We heard a crunch before it died." Emily Dickinson does tech support. (You should get a look at Kristin's other pastiches. She has a fine ear.) Olof @29: Boing Boing does Jabberwock, or possibly Jabberwock does Boing Boing. Cloudform @74, "Annabel LED." A popular favorite, and definitely one of the poems that made it hard to pick a single winner. Madeley @80, "Web Zen." A small but very cute pantoum. (Note: Be impressed. Pantoums are hard, like villanelles only more so.) Rachelboing @84: a sonnet on feet. Lumi the Valiant @85, "The Charge of the Boing Boingers," with muttered apologies to Tennyson. ELloyd74 @114 had the sleekest rhymes. TDawwg @113 argued with me, elegantly, in "A Poetickall Epistle Direckted at Our Moderator By Way of Metrickall Clarification." HKDailo @130 rapped, inventively. Jfaehnle @168, "Sex-Bot Villanelle; or, VW5yZXF1aXRlZCBMb3Zl.". Other notables achievements: Props to David Carroll @43, for constructing a crossword puzzle (and later, posting the solution). Props also to Shutz, at various points in the thread, for doing some real thinking about future games. As was only appropriate for a competition that started on 11/11, we got three notable pastiches of famous war poems: Mel Rodriguez @50 did Wilfred Owens' "Dulce et Decorum Est"; Jazzbo @134 did John Gillespie Magee's "High Flier"; and TaoArt @150 did John McCrae's "In Flanders Fields." Some of the best poems in the thread were written by first-time commenters. I don't yet have a complete list of them, so I'll put that in the comment thread. Kieran O'Neill @142, "Your country's gender disjunction," was the best poem written as a comment in a current thread. Second place in that category goes to MXJohnson @132 for From "Your shoe is jacked into my eye" and "Call to makers: woman wants webcam to replace lost eye". Oskar @33 is to be commended for his presentation, and his attitude. Entertaining your readers by showing off really well is at the heart of the game. Triscuit @72 wrote the best haiku. Foetusnail @187 wins for Most Improved. Second place for Most Improved: JanusNode @151, "Ode to Boing Boing." Frazbin @202, for the tidiest poem on the least hygienic subject. MinTphresh @91 and @183, for spiritual truth. Other poems that a different judge might have scored higher: TangoBrain @152, "Encryptus." :: Chriziem @141, Chriziem @141, "Steampunk Elegy." :: Jmanooch @167, "Carousel: On a Reading of Boing Boing." :: Aila @158, "Guerrilla Gardener." :: MFGG @48, a panegyric sonnet. :: CK @87, who is funny and accurate. :: Mr. Orion @104, who is also fun to read, and would undoubtedly have scored higher if he'd labeled his work as a haiku sequence rather than a series of one-offs. :: Deviant @107's heroic quatrains about a boy and his sexbot making a stand against the zombie apocalypse. :: Boba Fett Diop @111 doing Lucas via Homer via Richmond Lattimore. :: WillAlex @173, a zombie sonnet. :: Met Ower @131, "Lurker Lament."...


<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Poetry goes Boing! - Boing Boing {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 24, 2008, 3:36 pm - <span style="color:#808080;">Indexed:</span> November 25, 2008, 9:16 am - <span style="color:#808080;">Page Size:</span>&nbsp;73KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/arts/">Arts</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/">Literature</a> &gt; <a href="http://www.world-of-newave.info/arts/literature/genres/">Genres</a> &gt;  <a href="http://www.world-of-newave.info/arts/literature/genres/cyberpunk/"><b>Cyberpunk</b></a></div></td></tr></table>
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<entry>
<title>{SYSTEMS &gt; NEWS AND MEDIA} - Emory University presents readings from Alice Walker</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/computers/systems/apple/macintosh/news-and-media/emory-university-presents-readings-from-alice-20081136820.htm"/>
<summary type="text/plain">To celebrate the placement of the archive of her life?s work at Emory, Pulitzer Prize-winning author Alice Walker visited the university in March 2008 to explain her decision and grace those gathered with selected readings from her prose and poetry. A consummate storyteller, Alice Walker has written more than 23 books, including The Color Purple, one of the works she reads from in these episodes on iTunes U.
</summary>
<id>http://articles.world-of-newave.info/computers/systems/apple/macintosh/news-and-media/emory-university-presents-readings-from-alice-20081136820.htm</id>
<issued>2008-11-21T16:28:13Z</issued>
<modified>2008-11-21T16:28:13Z</modified>
<author>
<name>Deimos.Apple.Com</name>
<url>http://deimos.apple.com/WebObjects/Core.woa/Browse/emory-public.1630521911?sr=hotnews</url>
</author>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Deimos.Apple.Com</span> - To celebrate the placement of the archive of her life?s work at Emory, Pulitzer Prize-winning author Alice Walker visited the university in March 2008 to explain her decision and grace those gathered with selected readings from her prose and poetry. A consummate storyteller, Alice Walker has written more than 23 books, including The Color Purple, one of the works she reads from in these episodes on iTunes U.
<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">    Emory University - Alice Walker   {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 21, 2008, 4:28 pm - <span style="color:#808080;">Indexed:</span> December 1, 2008, 9:04 am - <span style="color:#808080;">Page Size:</span>&nbsp;13KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/computers/">Computers</a> &gt; <a href="http://www.world-of-newave.info/computers/systems/">Systems</a> &gt; <a href="http://www.world-of-newave.info/computers/systems/apple/">Apple</a> &gt; <a href="http://www.world-of-newave.info/computers/systems/apple/macintosh/">Macintosh</a> &gt;  <a href="http://www.world-of-newave.info/computers/systems/apple/macintosh/news-and-media/"><b>News and Media</b></a></div></td></tr></table>
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<title>{EUROPE &gt; NEWS AND MEDIA} - Michael Billington on what TS Eliot's complex plays did for the theatre</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/michael-billington-on-what-ts-eliot-s-complex-plays-20081121533.htm"/>
<summary type="text/plain">Is there a dramatist currently less fashionable than TS Eliot? The verse-drama revival he so ardently championed bit the dust. His high Anglicanism is now a minority taste. Even the drawing-room settings he used as a spiritual battleground seem redolent of a lost world. The ultimate irony is that Eliot achieved the theatrical breakthrough he sought only with Cats: a musical that, at the last count, had been seen by over 50 million people worldwide; you could call it Old Possum's posthumous revenge. Next week, the Donmar Warehouse in London is bucking the trend with a two-month Eliot festival. It will include a revival of The Family Reunion, readings of Murder in the Cathedral and The Cocktail Party, and a performance of Four Quartets complemented by music from Beethoven. Time will tell whether this will be enough to restore Eliot's theatrical fortunes. I wouldn't bet on it: we live in an age of peculiar theatrical narcissism. We expect drama to conform to our own politically correct concerns; with a few shining exceptions, theatres now show a deep incuriosity about the past. Even Shaw has had to battle against decades of neglect. Eliot is a more complex case, and I would readily concede many of the arguments against him. His constant emphasis on contrition and self-denial becomes oppressive. Just as Eliot's religiousness can subside into misanthropy, so his politics can descend into snobbery. And, in attempting to pour both Greek myth and dramatic poetry into an acceptable West End form, he can be said to have sacrificed two babies with the bath water. Even he acknowledged, a propos The Cocktail Party, that "every step in simplification brings me nearer to Frederick Lonsdale", a creator of popular boulevard divertissements. Yet, for all that, I still believe Eliot deserves a second look. I am sorry that the Donmar season hasn't found room for Sweeney Agonistes, Eliot's most daring theatrical experiment. Billed as "fragments of an Aristophanic melodrama", it shows death intruding on a party hosted by two good-time girls. Written in a jazzy, freeform style that, shortly after Eliot's death, was given a brilliant accompanying score by John Dankworth, it anticipates many of the discoveries of postwar drama. In its use of repetition, its orchestration of demotic speech, and its mixture of comedy and menace, it clearly had an influence on Harold Pinter. Moreover, as Kenneth Tynan shrewdly noted, it articulates one of Eliot's key themes: an obsessive guilt often connected with the death of a woman. As Sweeney himself at one point cries: I knew a man once did a girl in. Any man might do a girl in Any man has to, needs to, wants to Once in a lifetime, do a girl in. Sweeney was never completed, but it provides a matrix for Eliot's imaginative development. It also suggests a second reason for looking closely at his stage work. Drama is inevitably a form of self-revelation, and Eliot's plays, in their constant emphasis on the need to expiate past sins, in their portrait of the hollowness of public men, and even in their final acceptance of human love, tell us a lot about the poet himself. All Eliot's heroes are, significantly, harried and haunted by their pasts. It's a rule that applies to Becket in Murder in the Cathedral, Harry in The Family Reunion, pursued by the Furies to his family's ancestral home, and to Lord Claverton in The Elder Statesman who, in his declining years, is confronted by his youthful disregard for human life. Eliot's plays provide an extraordinary self-portrait culminating, towards the end of his life, in an achieved absolution. People often pooh-pooh the biographical approach to art. Michael Hastings was derided for dredging up the story of Eliot's tormented first marriage to Vivien Haigh-Wood in his play, Tom and Viv. But, while it is always dangerous to moralise about people's marriages, Hastings' play did some good in demolishing the myth of Eliot's impersonality. His marriage to Haigh-Wood led to emotional disorders on both sides, eventual separation and finally to her commitment to a psychiatric hospital. I'm not suggesting that this provides the clue to all Eliot's work; but it can hardly be an accident that his archetypal protagonist is a man who, whatever his public achievements, is wracked by a sense of guilt only relieved by self-abnegation. In Eliot's plays, sin and suffering are often accompanied by a sprightly comic sense. Everyone harps on the fact that The Cocktail Party ends with the off-stage crucifixion of Celia Coplestone, who has become a Christian missionary, on an African village anthill: an act of willed martyrdom that many people find repugnant. What is ignored is that the play also satirises the small talk of prattling partygoers and reminiscences about unseen figures, in a way that Pinter brilliantly extended in the Hirst-Spooner second act in No Man's Land.  I would argue that Eliot's gift for self-revelation and social comedy only fully emerges in his two totally ignored final plays: The Confidential Clerk (1953) and The Elder Statesman (1958). I would happily sacrifice yet another evening sitting in some chilly church listening to actors worthily intoning Murder in the Cathedral for the odd revival of these two forgotten plays. The Confidential Clerk is a rivetingly bizarre play about parents seeking children and children seeking parents. It is also filled with countless echoes: of Euripides's Ion, Wilde's The Importance of Being Earnest, Shaw's Misalliance, and Gilbert and Sullivan's HMS Pinafore. What gives the play extra-curricular fascination, however, is how much it tells us about Eliot. Ultimately this is about the compromises by which people live, and the shadow-like nature of our professional lives. When Sir Claude Mulhammer, a successful financier who yearns to become a potter, talks of "a consuming passion to do something for which one lacks the capacity", one wonders if Eliot is referring to his own desire to become a popular dramatist. But the play is also about the universal search for some transcendent experience: what Mulhammer calls "an agonising ecstasy that makes life bearable". Colby, his presumed son, finds it in religion; Sir Claude, in pottery. When Eliot wrote The Elder Statesman, he had exorcised many of his demons by marrying his second wife, Valerie. Accordingly, he creates a hero, Lord Claverton, who banishes the spectres from his past. Achieving reconciliation with his two children, the hero finally drops all pretences and announces: "I have been brushed by the wing of happiness." Appearing in the same year as A Taste of Honey, and Chicken Soup With Barley, The Elder Statesman looked old-fashioned and enjoyed the shortest West End run of any of Eliot's plays; yet it remains his most human and touching work. All of which begs the real question: is Eliot a dramatic dodo, or does his work still have relevance in a predominantly secular age that has all but eradicated notions of sin, guilt and contrition? I wouldn't bank on a sudden Eliot boom, but I have a hunch that his plays have the capacity to address our search for something beyond mundane materiality. Our goals may be radically different from Eliot's, but poor Tom's not quite cold yet.From Mamet to Monty Python: Two verse-dramatists on what Eliot taught themGlyn Maxwell Eliot gave a speech at Harvard in 1950, in which he reported his experiences in writing and staging his three major plays. He considers what worked, what didn't, and why. There was no sign of the authoritative poet-critic. He was humble, candid, even drily comic.The speech was helpful, and meant to be - it was explicitly addressed to poets who might wish to write plays. Nearly all his concerns were formal: above all, to avoid the "Shakespearean echo" which sank the Romantics as playwrights. He started with what he called the "versification of Everyman" when writing Murder in the Cathedral, then switched to a long flexible line with a wandering caesura for all the others. The principle seemed to be: anything but pentameter. This was fair enough, given the Victorian artefact from which Eliot's poetry dissented - though the five-beat line emerged fit and well in the hands of his contemporary Edward Thomas: it's a more provisional, uncertain line, one that's nearer breath than poetry. I also think Eliot's Sweeney fragments stumbled on a more suggestive and durable form than did The Cocktail Party, and echo down, consciously or not, in everything from Pinter to Mamet to Monty Python.Peter OswaldVerse plays are not eligible for the TS Eliot prize, or any other poetry prize. Yet Eliot believed that poetry and drama were integral to each other: poetry dries up if it forgets its roots in sacred drama; drama becomes a slow-footed follower of the newspapers if it discards poetry. Just as he set out to tie up the cut ends of our culture in The Wasteland, so Eliot threw himself into reuniting poetry and drama. It was daunting. As he put it: "This verse drama is hard. You have to give your life to it." He felt he'd come to it too late.When I started writing verse drama, I felt that Eliot's dramatic enterprise was a heroic failure. What made things difficult was his disinclination for the obvious form - the iambic pentameter. To a modernist this option was locked shut, Pound having said that "the first step was to break the pentameter". But the blank verse form treads such a fine line between formal verse and ordinary speech: in my experience, it is salvation for the poet/playwright.  Eliot did start something. Ted Hughes strove with the verse play all his life, culminating in his glorious Alcestis. This year saw the revival of the Canterbury festival, for which Murder in the Cathedral was commissioned; a play by Sebastian Barry was staged in the cathedral. Who knows, Eliot's fusion of poetry and drama may be realised in our lifetime.Glyn Maxwell's play Liberty recently completed a national tour. Peter Oswald's version of Schiller's Mary Stuart opens on Broadway next spring. His play Lisbon opens in the West End at the same time.The TS Eliot festival starts tomorrow and runs till January 17. Details: donmarwarehouse.comTS EliotTheatreguardian.co.uk © Guardian News &amp; Media Limited 2008 | Use of this content is subject to our Terms &amp; Conditions | More Feeds</summary>
<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/michael-billington-on-what-ts-eliot-s-complex-plays-20081121533.htm</id>
<issued>2008-11-19T00:16:21Z</issued>
<modified>2008-11-19T00:16:21Z</modified>
<author>
<name>Guardian.Co.Uk</name>
<url>http://www.guardian.co.uk/culture/2008/nov/19/ts-eliot-plays-michael-billington</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/michael-billington-on-what-ts-eliot-s-complex-plays-20081121533.htm"><b>Michael Billington on what TS Eliot's complex plays did for the theatre</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/michael-billington-on-what-ts-eliot-s-complex-plays-20081121533.htm" target="_blank">new window</a>}</sup></td></tr>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Guardian.Co.Uk</span> - Is there a dramatist currently less fashionable than TS Eliot? The verse-drama revival he so ardently championed bit the dust. His high Anglicanism is now a minority taste. Even the drawing-room settings he used as a spiritual battleground seem redolent of a lost world. The ultimate irony is that Eliot achieved the theatrical breakthrough he sought only with Cats: a musical that, at the last count, had been seen by over 50 million people worldwide; you could call it Old Possum's posthumous revenge. Next week, the Donmar Warehouse in London is bucking the trend with a two-month Eliot festival. It will include a revival of The Family Reunion, readings of Murder in the Cathedral and The Cocktail Party, and a performance of Four Quartets complemented by music from Beethoven. Time will tell whether this will be enough to restore Eliot's theatrical fortunes. I wouldn't bet on it: we live in an age of peculiar theatrical narcissism. We expect drama to conform to our own politically correct concerns; with a few shining exceptions, theatres now show a deep incuriosity about the past. Even Shaw has had to battle against decades of neglect. Eliot is a more complex case, and I would readily concede many of the arguments against him. His constant emphasis on contrition and self-denial becomes oppressive. Just as Eliot's religiousness can subside into misanthropy, so his politics can descend into snobbery. And, in attempting to pour both Greek myth and dramatic poetry into an acceptable West End form, he can be said to have sacrificed two babies with the bath water. Even he acknowledged, a propos The Cocktail Party, that "every step in simplification brings me nearer to Frederick Lonsdale", a creator of popular boulevard divertissements. Yet, for all that, I still believe Eliot deserves a second look. I am sorry that the Donmar season hasn't found room for Sweeney Agonistes, Eliot's most daring theatrical experiment. Billed as "fragments of an Aristophanic melodrama", it shows death intruding on a party hosted by two good-time girls. Written in a jazzy, freeform style that, shortly after Eliot's death, was given a brilliant accompanying score by John Dankworth, it anticipates many of the discoveries of postwar drama. In its use of repetition, its orchestration of demotic speech, and its mixture of comedy and menace, it clearly had an influence on Harold Pinter. Moreover, as Kenneth Tynan shrewdly noted, it articulates one of Eliot's key themes: an obsessive guilt often connected with the death of a woman. As Sweeney himself at one point cries: I knew a man once did a girl in. Any man might do a girl in Any man has to, needs to, wants to Once in a lifetime, do a girl in. Sweeney was never completed, but it provides a matrix for Eliot's imaginative development. It also suggests a second reason for looking closely at his stage work. Drama is inevitably a form of self-revelation, and Eliot's plays, in their constant emphasis on the need to expiate past sins, in their portrait of the hollowness of public men, and even in their final acceptance of human love, tell us a lot about the poet himself. All Eliot's heroes are, significantly, harried and haunted by their pasts. It's a rule that applies to Becket in Murder in the Cathedral, Harry in The Family Reunion, pursued by the Furies to his family's ancestral home, and to Lord Claverton in The Elder Statesman who, in his declining years, is confronted by his youthful disregard for human life. Eliot's plays provide an extraordinary self-portrait culminating, towards the end of his life, in an achieved absolution. People often pooh-pooh the biographical approach to art. Michael Hastings was derided for dredging up the story of Eliot's tormented first marriage to Vivien Haigh-Wood in his play, Tom and Viv. But, while it is always dangerous to moralise about people's marriages, Hastings' play did some good in demolishing the myth of Eliot's impersonality. His marriage to Haigh-Wood led to emotional disorders on both sides, eventual separation and finally to her commitment to a psychiatric hospital. I'm not suggesting that this provides the clue to all Eliot's work; but it can hardly be an accident that his archetypal protagonist is a man who, whatever his public achievements, is wracked by a sense of guilt only relieved by self-abnegation. In Eliot's plays, sin and suffering are often accompanied by a sprightly comic sense. Everyone harps on the fact that The Cocktail Party ends with the off-stage crucifixion of Celia Coplestone, who has become a Christian missionary, on an African village anthill: an act of willed martyrdom that many people find repugnant. What is ignored is that the play also satirises the small talk of prattling partygoers and reminiscences about unseen figures, in a way that Pinter brilliantly extended in the Hirst-Spooner second act in No Man's Land.  I would argue that Eliot's gift for self-revelation and social comedy only fully emerges in his two totally ignored final plays: The Confidential Clerk (1953) and The Elder Statesman (1958). I would happily sacrifice yet another evening sitting in some chilly church listening to actors worthily intoning Murder in the Cathedral for the odd revival of these two forgotten plays. The Confidential Clerk is a rivetingly bizarre play about parents seeking children and children seeking parents. It is also filled with countless echoes: of Euripides's Ion, Wilde's The Importance of Being Earnest, Shaw's Misalliance, and Gilbert and Sullivan's HMS Pinafore. What gives the play extra-curricular fascination, however, is how much it tells us about Eliot. Ultimately this is about the compromises by which people live, and the shadow-like nature of our professional lives. When Sir Claude Mulhammer, a successful financier who yearns to become a potter, talks of "a consuming passion to do something for which one lacks the capacity", one wonders if Eliot is referring to his own desire to become a popular dramatist. But the play is also about the universal search for some transcendent experience: what Mulhammer calls "an agonising ecstasy that makes life bearable". Colby, his presumed son, finds it in religion; Sir Claude, in pottery. When Eliot wrote The Elder Statesman, he had exorcised many of his demons by marrying his second wife, Valerie. Accordingly, he creates a hero, Lord Claverton, who banishes the spectres from his past. Achieving reconciliation with his two children, the hero finally drops all pretences and announces: "I have been brushed by the wing of happiness." Appearing in the same year as A Taste of Honey, and Chicken Soup With Barley, The Elder Statesman looked old-fashioned and enjoyed the shortest West End run of any of Eliot's plays; yet it remains his most human and touching work. All of which begs the real question: is Eliot a dramatic dodo, or does his work still have relevance in a predominantly secular age that has all but eradicated notions of sin, guilt and contrition? I wouldn't bank on a sudden Eliot boom, but I have a hunch that his plays have the capacity to address our search for something beyond mundane materiality. Our goals may be radically different from Eliot's, but poor Tom's not quite cold yet.From Mamet to Monty Python: Two verse-dramatists on what Eliot taught themGlyn Maxwell Eliot gave a speech at Harvard in 1950, in which he reported his experiences in writing and staging his three major plays. He considers what worked, what didn't, and why. There was no sign of the authoritative poet-critic. He was humble, candid, even drily comic.The speech was helpful, and meant to be - it was explicitly addressed to poets who might wish to write plays. Nearly all his concerns were formal: above all, to avoid the "Shakespearean echo" which sank the Romantics as playwrights. He started with what he called the "versification of Everyman" when writing Murder in the Cathedral, then switched to a long flexible line with a wandering caesura for all the others. The principle seemed to be: anything but pentameter. This was fair enough, given the Victorian artefact from which Eliot's poetry dissented - though the five-beat line emerged fit and well in the hands of his contemporary Edward Thomas: it's a more provisional, uncertain line, one that's nearer breath than poetry. I also think Eliot's Sweeney fragments stumbled on a more suggestive and durable form than did The Cocktail Party, and echo down, consciously or not, in everything from Pinter to Mamet to Monty Python.Peter OswaldVerse plays are not eligible for the TS Eliot prize, or any other poetry prize. Yet Eliot believed that poetry and drama were integral to each other: poetry dries up if it forgets its roots in sacred drama; drama becomes a slow-footed follower of the newspapers if it discards poetry. Just as he set out to tie up the cut ends of our culture in The Wasteland, so Eliot threw himself into reuniting poetry and drama. It was daunting. As he put it: "This verse drama is hard. You have to give your life to it." He felt he'd come to it too late.When I started writing verse drama, I felt that Eliot's dramatic enterprise was a heroic failure. What made things difficult was his disinclination for the obvious form - the iambic pentameter. To a modernist this option was locked shut, Pound having said that "the first step was to break the pentameter". But the blank verse form treads such a fine line between formal verse and ordinary speech: in my experience, it is salvation for the poet/playwright.  Eliot did start something. Ted Hughes strove with the verse play all his life, culminating in his glorious Alcestis. This year saw the revival of the Canterbury festival, for which Murder in the Cathedral was commissioned; a play by Sebastian Barry was staged in the cathedral. Who knows, Eliot's fusion of poetry and drama may be realised in our lifetime.Glyn Maxwell's play Liberty recently completed a national tour. Peter Oswald's version of Schiller's Mary Stuart opens on Broadway next spring. His play Lisbon opens in the West End at the same time.The TS Eliot festival starts tomorrow and runs till January 17. Details: donmarwarehouse.comTS EliotTheatreguardian.co.uk © Guardian News & Media Limited 2008 | Use of this content is subject to our Terms & Conditions | More Feeds<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">			Michael Billington on what TS Eliot's complex plays did for the theatre |				Culture |				The Guardian	 {...} TS Eliot's complex plays about guilt and denial once drew West End crowds. Can they do so today? On the eve of a revival, Michael Billington celebrates a daring dramatist {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 19, 2008, 12:16 am - <span style="color:#808080;">Indexed:</span> November 19, 2008, 10:26 am - <span style="color:#808080;">Page Size:</span>&nbsp;84KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/"><b>News and Media</b></a></div></td></tr></table>
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</entry>
<entry>
<title>{NORTH AMERICA &gt; RENTALS} - Housemates wanted for lovely house and garden (hercules, pinole, san pablo, el sob) $600</title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/housemates-wanted-for-lovely-house-and-garden-hercules-20081143629.htm"/>
<summary type="text/plain">One or two housemates wanted to share large El Sobrante house and garden with married couple and friendly dog. Hardwood floors, nicely furnished, well-equipped kitchen. We prefer employed housemates with non-home-based jobs and a desire to create a supportive environment. We are Obama people interested in poetry, politics, gardening, healthy eating and making a better world. Please email us about your interests and needs. Couple or parent and child okay if you want to take two rooms. Blessings!</summary>
<id>http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/housemates-wanted-for-lovely-house-and-garden-hercules-20081143629.htm</id>
<issued>2008-11-18T07:19:23Z</issued>
<modified>2008-11-18T07:19:23Z</modified>
<author>
<name>Sfbay.Craigslist.Org</name>
<url>http://sfbay.craigslist.org/eby/roo/923716798.html</url>
</author>
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<tr><td colspan="2" style="font:bold 12pt Arial;vertical-align:top;"><a href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/housemates-wanted-for-lovely-house-and-garden-hercules-20081143629.htm"><b>Housemates wanted for lovely house and garden (hercules, pinole, san pablo, el sob) $600</b></a> <sup style="font:8pt Verdana,Arial;vertical-align:top;">{<a href="http://articles.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/housemates-wanted-for-lovely-house-and-garden-hercules-20081143629.htm" target="_blank">new window</a>}</sup></td></tr>
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<td style="font:6pt Verdana,Arial,Sans-serif;text-align:center;vertical-align:top;">&nbsp;</td>
<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Sfbay.Craigslist.Org</span> - One or two housemates wanted to share large El Sobrante house and garden with married couple and friendly dog. Hardwood floors, nicely furnished, well-equipped kitchen. We prefer employed housemates with non-home-based jobs and a desire to create a supportive environment. We are Obama people interested in poetry, politics, gardening, healthy eating and making a better world. Please email us about your interests and needs. Couple or parent and child okay if you want to take two rooms. Blessings!<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Housemates wanted for lovely house and garden {...} </blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 18, 2008, 7:19 am - <span style="color:#808080;">Indexed:</span> November 18, 2008, 9:00 am - <span style="color:#808080;">Page Size:</span>&nbsp;4KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/">North America</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/">United States</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/">California</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/">Metro Areas</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/">San Francisco Bay Area</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/">Business and Economy</a> &gt; <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/">Real Estate</a> &gt;  <a href="http://www.world-of-newave.info/regional/north-america/united-states/california/metro-areas/san-francisco-bay-area/business-and-economy/real-estate/rentals/"><b>Rentals</b></a></div></td></tr></table>
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<entry>
<title>{EUROPE &gt; NEWSPAPERS} - Rotelearning poetry competition launched by BBC </title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/rotelearning-poetry-competition-launched-by-bbc-20081126419.htm"/>
<summary type="text/plain">The BBC has launched a Victorianstyle rote learning competition to "breathe life" into poetry teaching. </summary>
<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/rotelearning-poetry-competition-launched-by-bbc-20081126419.htm</id>
<issued>2008-11-16T17:04:26Z</issued>
<modified>2008-11-16T17:04:26Z</modified>
<author>
<name>Telegraph.Co.Uk</name>
<url>http://www.telegraph.co.uk/news/uknews/3468399/Rote-learning-poetry-competition-launched-by-BBC.html</url>
</author>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Telegraph.Co.Uk</span> - The BBC has launched a Victorianstyle rote learning competition to "breathe life" into poetry teaching. <blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Rote-learning poetry competition launched by BBC  - Telegraph {...} UK News, uk news, breaking UK news, latest UK news, UK news latest breaking UK stories, current UK news, online UK news, todays UK news, UK politics news, the daily telegraph UK news, telegraph uk news, telegraph UK news, daily telegraph UK news, telegraph.co.uk, Britain, British News, UK News,News {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 16, 2008, 5:04 pm - <span style="color:#808080;">Indexed:</span> November 17, 2008, 10:21 am - <span style="color:#808080;">Page Size:</span>&nbsp;45KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/">News and Media</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/"><b>Newspapers</b></a></div></td></tr></table>
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<title>{EUROPE &gt; HEADLINE LINKS} - Poet 'stirred up' storm over book</title>
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<summary type="text/plain">Bookseller Waterstone's says it had to cancel a poetry launch after its author deliberately whipped up a "furore".</summary>
<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/headline-links/poet-stirred-up-storm-over-book-20081199919.htm</id>
<issued>2008-11-15T08:38:55Z</issued>
<modified>2008-11-15T08:38:55Z</modified>
<author>
<name>News.Bbc.Co.Uk</name>
<url>http://news.bbc.co.uk/2/hi/uk_news/wales/7730396.stm</url>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">News.Bbc.Co.Uk</span> - Bookseller Waterstone's says it had to cancel a poetry launch after its author deliberately whipped up a "furore".<blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">BBC NEWS | UK | Wales | Poet 'stirred up' storm over book {...} Bookseller Waterstone's says it had to cancel a poetry launch after its author deliberately whipped up a "furore". {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 15, 2008, 8:38 am - <span style="color:#808080;">Indexed:</span> November 15, 2008, 1:08 pm - <span style="color:#808080;">Page Size:</span>&nbsp;50KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/">News and Media</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/headline-links/"><b>Headline Links</b></a></div></td></tr></table>
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<entry>
<title>{EUROPE &gt; NEWSPAPERS} - Rote learning poetry competition launched by BBC </title>
<link rel="alternate" type="text/html" href="http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/rote-learning-poetry-competition-launched-by-bbc-20081120713.htm"/>
<summary type="text/plain">A Victorianstyle rote learning competition to "breathe life" into poetry teaching has been launched by the BBC. </summary>
<id>http://articles.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/rote-learning-poetry-competition-launched-by-bbc-20081120713.htm</id>
<issued>2008-11-13T23:54:31Z</issued>
<modified>2008-11-13T23:54:31Z</modified>
<author>
<name>Telegraph.Co.Uk</name>
<url>http://www.telegraph.co.uk/news/uknews/3454073/Rote-learning-poetry-competition-launched-by-BBC.html</url>
</author>
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<td width="100%" style="font:9pt Verdana,Arial,Sans-serif;vertical-align:top;"><span style="color:#808080;font-variant:small-caps;">Www.Telegraph.Co.Uk</span> - A Victorianstyle rote learning competition to "breathe life" into poetry teaching has been launched by the BBC. <blockquote style="background:#FAFAFA;border:1px dotted #E6E6E6;font:italic 10pt Times New Roman;padding:9px;">Rote learning poetry competition launched by BBC  - Telegraph {...} rote learning,poetry,BBC,spelling bee,william wordsworth,Edward Lear,Daisy Goodwin,Off By Heart,Jeremy Paxman, UK News, uk news, breaking UK news, latest UK news, UK news latest breaking UK stories, current UK news, online UK news, todays UK news, UK politics news, the daily telegraph UK news, telegraph uk news, telegraph UK news, daily telegraph UK news, telegraph.co.uk, Britain, British News, UK News,News {...}</blockquote><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Published:</span> November 13, 2008, 11:54 pm - <span style="color:#808080;">Indexed:</span> November 14, 2008, 11:07 am - <span style="color:#808080;">Page Size:</span>&nbsp;43KB</div><div style="font:8pt Verdana,Arial;vertical-align:top;"><span style="color:#808080;">Category:</span> <a href="http://www.world-of-newave.info/regional/">Regional</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/">Europe</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/">United Kingdom</a> &gt; <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/">News and Media</a> &gt;  <a href="http://www.world-of-newave.info/regional/europe/united-kingdom/news-and-media/newspapers/"><b>Newspapers</b></a></div></td></tr></table>
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